#the whole thing with Neil is so complicated

[ingravinoveritas]

The amount of hate David is receiving on X is horrible to read regarding the Baftas and NG/Good Omens. I’m glad he doesn’t use Social Media so he can’t read the horrible things said about him but i feel so sorry for him. I’ve been a fan of him since he started Doctor Who in 2004/5 and it’s upsetting to read how nasty people are. If people don’t agree with his views, that’s fine we’re entitled to an opinion but there’s no need to use such harsh words against him. It’s sad to read.

Hi, Anon. I agree with you that the hateful comments made against David since hosting the BAFTAs last weekend have been horrific. As I've alluded to previously, I don't think it's that David doesn't use social media at all, but rather that he has private accounts that are not for public consumption. Either way, I am also hoping he has not read (or had someone read to him) the nasty things that people have said.

So many of the attacks--largely in response to the Trump-related jokes that David made, but as you said, related to Good Omens/NG too--have been personal and veered hard into homophobic and transphobic rhetoric. Guilt by association as well--as if David himself wasn't horrifically betrayed and used by Neil. Because these days, and especially on social media, it doesn't seem like it's enough to just disagree with someone's views or have a differing opinion. It's now become necessary to tear someone apart completely--to dehumanize them, to twist and distort the truth for the sake of turning them into the "other" as a justification for lying and saying those nasty things in the first place.

I know this might not be much comfort, but another thing that I hope is helpful is to remember that X is an absolute cesspool at this point. It has now become a haven for the worst of the very worst, and so on that site, those voices are the ones most amplified. But just because they are the loudest, it does not mean they are the majority. Because David is receiving twice as much love and positivity on any number of other sites (Bluesky, Tumblr), and that more than counts for something.

The other thing is that David is 53 years old, and much of this has arisen from him deciding to speak up and stand for something. Something that, given the current political climate, has an enormous potential for backlash. But I think it's incredibly admirable and commendable that David has become so vocal over the last few years, regardless of the consequences. So as upsetting as the hate he's getting is, it's also encouraging, because it means that even in the face of such an onslaught, David is not backing down or apologizing for what he believes in. And that makes my respect for him grow immeasurably.

I hope this helps you to feel better, Anon. Remember, too, that David has a PR team and family and friends who love him, so he is very much not fighting this alone. So that is something we can certainly be glad for...

[backlogbooks]

Reading When The Angels Left the Old Country and I’m so enamored by every page, like the writing is just so wonderful and i’m in love with the characters and also i’m Very Nervous about events 

[radbelinda]

One of the things that strikes me about the whole Neil Gaiman thing is that people really want to portray Amanda Palmer as being a remorselessly complicit figure, when a lot of things that are very obviously fucked up and menacing when you put it next to the actual assaults going on - are perfectly normalised and accepted within poly/ENM world. All of these things are fucked up and menacing, but the bubble of pseudo-feminist poly world is incredibly effective at making you totally oblivious to the fact that you're opening the door to abuse and emotional damage.

The thing of 'oh we just slept together and I took a consensual nude of you, now can I have your consent to send it to my husband' is a feature of poly culture, not a bug. Suggestive and inappropriate comments to a woman about how hot your husband will find her are completely normalised. A statement from your husband like 'I don't get to play with my Dom side with you, so I need to be with other women who are natural subs' (which I suspect is the reason he gave when he kept having affairs when she was eight months pregnant, after agreeing to be monogamous) is something that culture will expect you to be completely Cool Girl about. Being blasé when a woman comes to you and says 'your husband made a pass at me' is also the expected Cool Girl reaction. Bringing women into your circle that you think your husband will find hot is completely par for the course in those mindsets and part of being a good and fun and sexy partner - no one doing that in poly culture thinks of themselves as 'feeding him women to rape' or grooming. Lots of people seem to find Amanda telling Neil that he couldn't hit on Scarlett, but still leaving him alone with her, to be jawdropping - but, as someone who has had people in ENM relationships exhibit poor boundaries around me and try to insinuate me into their sex lives in inappropriate ways, I know that that kind of thing is seen as due diligence and an appropriate way to navigate a situation. My experience of people immersed in that kind of culture is just this general assumption that words and agreements are magic - that all you need to do is communicate and agree terms and everything is fine, and if an agreement is violated you just need to communicate more and agree terms and everything is fine, pay no attention to the man behind the curtain.

What a lot of people want (and have wanted all along when they were making jokes about how understandable it was for Neil to 'fly across the world to escape having lockdown with her') is for Amanda Palmer to have been a truly abhorrent person, when the truth is that the whole culture around poly/ENM/open relationships - not necessarily the stated rules everyone claims to be abiding by, but the actual culture itself - encourages this stuff, especially from women.

I'm not suggesting Amanda is a victim in anywhere close to the same way as any of the women profiled in the reportage, and I do think her learned obliviousness enabled her complicity in creating a situation like Scarlett being left alone with Neil, but she has clearly been manipulated as well. Think of how insanely manipulative it was for him to wait until she was in late-stage pregnancy to start violating the terms of their marriage, how he surprised her with a lot of 'dark' elements of his personality after they were already married with a child, how we don't even necessarily know how much control she had over the marital pursestrings, how (as covered in the Tortoise podcasts) he would pressure the woman who lived on his estate into sexual activity by saying that Amanda, not him, wanted to sell the house and kick her out - and that if she kept him sweet he'd be her advocate against his evil wife. He is so clearly a profoundly manipulative person and it's just lunacy to suggest that none of that manipulation will have been targeted at Amanda.

[edenspoem]

CALLING ALL FANFICTION AUTHORS!

please reblog this. i've talked about this twice before, but obviously not everyone has seen it. i am calling for anyone who writes fanfiction or posts about a certain game/show/universe in any connective manner to please, please- PLEASE, copy this memo below comprising links to supporting palestine, education on the situation in gaza, and a must-need for those who engage in TLOU tumblr; links regarding the creators (neil druckmann) zionism, and how the plot of tlou2 is based on the israeli occupation of palestine. i don't care if what you write seems "insignificant" or "small" in the grouping of larger fics. no. everything that is not related to palestine in any form NEEDS these links. because, when we stray away from reblogging, or writing up our own posts in support of palestine/sharing journalists stories/etc. even for a SINGLE piece of writing, we could be missing people who are unaware (which, shouldn't be the case atp, but..) and fucking especially because in these fandoms, fics are the most popular thing. not reblogs about palestine, unfortunately; there are so many fanfiction accounts who very clearly don't give a fuck about the whole situation, seeping in silence, posting fics during strikes, not taking accountability for it now, so on and so forth. please, for the love of all that is good- CALL THEM OUT! people gaining hundreds of notes, tens of reblogs, supportive comments on a post that completely disregards what is happening SO BOLDLY right now, should irk you. i swear, if i see one more fuckass "i didn't know!" apology from an author who is CONSTANTLY on tumblr, REGULARLY posting fanfiction, i'm going to fucking lose it. if you are on tumblr to begin with, being this active- you have time to reblog. actually, educating yourself and reblogging is way quicker than writing up fanfiction of any length. are you fucking kidding me? you are laughable. comical, not real, and i have nay an ounce of respect for you. ever. but besdies that; the memo. i want everyone to copy this, or make something similar. put this above your summaries, authors note, whatever comes before the writing. every post you make should link back to supporting palestine, cause you never know how many eyes it will reach. it could change a lot of things. on pc, i believe copying it completely will preserve the links, but i'm not sure if mobile will. again. do whatever you can to add it. don't be lazy. put this in ur masterlists/navigation too.

for all fanfiction authors:

from the river to the sea, palestine will be free 🇵🇸

READ: this account stands with palestine, and so— i require everyone who interacts to educate themselves, and support/donate. READ THESE; 1 and 2, HELP HERE, BOYCOTT. silence is complicity, do not scroll past this.

for tlou fanfiction authors:

from the river to the sea, palestine will be free 🇵🇸

READ: this account stands with palestine, and so— i require everyone who interacts to educate themselves, and support/donate. READ THESE; 1 and 2, HELP HERE, BOYCOTT. silence is complicity, do not scroll past this.

DO NOT BUY THE REMASTER, TLOU2, TLOU1, OR ANY GAME FROM NAUGHTY DOG! neil druckmann (the creator) is a zionist. PLEASE READ THIS. AND REBLOG THIS.

you may add what is necessary, i wanted to keep it short for attention span sakes, and to avoid people skipping it entirely, and so on. i may edit these, fix up anything, but again, if you're using them you can edit them however. as long as you are linking anything in general, that is what matters. thank you, love from aestra. from the river to the sea, palestine will be free 🇵🇸

[fuckyeahgoodomens]

Oooh! A great Gavin Finney (Good Omens Director of Photography) interview with Helen Parkinson for the British Cinematographer! :)

HEAVEN SENT

Gifted a vast creative landscape from two of fantasy’s foremost authors to play with, Gavin Finney BSC reveals how he crafted the otherworldly visuals for Good Omens 2.  

It started with a letter from beyond the grave. Following fantasy maestro Sir Terry Pratchett’s untimely death in 2015, Neil Gaiman decided he wouldn’t adapt their co-authored 1990 novel, Good Omens, without his collaborator. That was, until he was presented with a posthumous missive from Pratchett asking him to do just that.  

For Gaiman, it was a request that proved impossible to decline: he brought Good Omens season one to the screen in 2019, a careful homage to its source material. His writing, complemented by some inspired casting – David Tennant plays the irrepressible demon Crowley, alongside Michael Sheen as angel-slash-bookseller Aziraphale – and award-nominated visuals from Gavin Finney BSC, proved a potent combination for Prime Video viewers.  

Aziraphale’s bookshop was a set design triumph.

Season two departs from the faithful literary adaptation of its predecessor, instead imagining what comes next for Crowley and Aziraphale. Its storyline is built off a conversation that Pratchett and Gaiman shared during a jetlagged stay in Seattle for the 1989 World Fantasy Convention. Gaiman remembers: “The idea was always that we would tell the story that Terry and I came up with in 1989 in Seattle, but that we would do that in our own time and in our own way. So, once Good Omens (S1) was done, all I knew was that I really, really wanted to tell the rest of the story.” 

Telling that story visually may sound daunting, but cinematographer Finney is no stranger to the wonderfully idiosyncratic world of Pratchett and co. As well as lensing Good Omens’ first outing, he’s also shot three other Pratchett stories – TV mini series  Hogfather  (2006), and TV mini-series The Colour of Magic (2008) and Going Postal (2010). 

He relishes how the authors provide a vast creative landscape for him to riff off. “The great thing about Pratchett and Gaiman is that there’s no limit to what you can do creatively – everything is up for grabs,” he muses. “When we did the first Pratchett films and the first Good Omens, you couldn’t start by saying, ‘Okay, what should this look like?’, because nothing looks like Pratchett’s world. So, you’re starting from scratch, with no references, and that starting point can be anything you want it to be.”  

Season two saw the introduction of inside-outside sets for key locations including Aziraphale’s bookshop. 

From start to finish 

The sole DP on the six-episode season, Finney was pleased to team up again with returning director Douglas Mackinnon for the “immensely complicated” shoot, and the pair began eight weeks of prep in summer 2021. A big change was the production shifting the main soho set from Bovington airfield, near London, up to Edinburgh’s Pyramids Studio. Much of the action in Good Omens takes place on the Soho street that’s home to Aziraphale’s bookshop, which was built as an exterior set on the former airfield for season one. Season two, however, saw the introduction of inside-outside sets for key locations including the bookshop, record store and pub, to minimise reliance on green screen.  

Finney brought over many elements of his season one lensing, especially Mackinnon’s emphasis on keeping the camera moving, which involved lots of prep and testing. “We had a full-time Scorpio 45’ for the whole shoot (run by key grip Tim Critchell and his team), two Steadicam operators (A camera – Ed Clark and B camera Martin Newstead) all the way through, and in any one day we’d often go from Steadicam, to crane, to dolly and back again,” he says. “The camera is moving all the time, but it’s always driven by the story.” 

One key difference for season two, however, was the move to large-format visuals. Finney tested three large-format cameras and the winner was the Alexa LF (assisted by the Mini LF where conditions required), thanks to its look and flexibility.  

The minisodes were shot on Cooke anamorphics, giving Finney the ideal balance of anamorphic-style glares and characteristics without too much veiling flare.

A more complex decision was finding the right lenses for the job. “You hear about all these whizzy new lenses that are re-barrelled ancient Russian glass, but I needed at least two full sets for the main unit, then another set for the second unit, then maybe another set again for the VFX unit,” Finney explains. “If you only have one set of this exotic glass, it’s no good for the show.” 

He tested a vast array of lenses before settling on Zeiss Supremes, supplied by rental house Media Dog. These ticked all the boxes for the project: “They had a really nice look – they’re a modern design but not over sharp, which can look a bit electronic and a bit much, especially with faces. When you’re dealing with a lot of wigs and prosthetics, we didn’t want to go that sharp. The Supremes had a very nice colour palette and nice roll-off. They’re also much smaller than a lot of large-format glass, so that made it easy for Steadicam and remote cranes. They also provided additional metadata, which was very useful for the VFX department (VFX services were provided by Milk VFX).” 

The Supremes were paired with a selection of filters to characterise the show’s varied locations and characters. For example, Tiffen Bronze Glimmerglass were paired with bookshop scenes; Black Pro-Mist was used for Hell; and Black Diffusion FX for Crowley’s present-day storyline.  

Finney worked closely with the show’s DIT, Donald MacSween, and colourist, Gareth Spensley, to develop the look for the minisode.

Maximising minisodes 

Episodes two, three and four of season two each contain a ‘minisode’ – an extended flashback set in Biblical times, 1820s Edinburgh and wartime London respectively. “Douglas wanted the minisodes to have very strong identities and look as different from the present day as possible, so we’d instantly know we were in a minisode and not the present day,” Finney explains.  

One way to shape their distinctive look was through using Cooke anamorphic lenses. As Finney notes: “The Cookes had the right balance of controllable, anamorphic-style flares and characteristics without having so much veiling flare that they would be hard to use on green screens. They just struck the right balance of aesthetics, VFX requirements and availability.” The show adopted the anamorphic aspect ratio (2:39.1), an unusual move for a comedy, but one which offered them more interesting framing opportunities. 

Good Omens 2 was shot on the Alexa LF, paired with Zeiss Supremes for the present-day scenes.

The minisodes were also given various levels of film grain to set them apart from the present-day scenes. Finney first experimented with this with the show’s DIT Donald MacSween using the DaVinci Resolve plugin FilmConvert. Taking that as a starting point, the show’s colourist, Company 3’s Gareth Spensley, then crafted his own film emulation inspired by two-strip Technicolor. “There was a lot of testing in the grade to find the look for these minisodes, with different amounts of grain and different types of either Technicolor three-strip or two-strip,” Finney recalls. “Then we’d add grain and film weave on that, then on top we added film flares. In the Biblical scenes we added more dust and motes in the air.”  

Establishing the show’s lighting was a key part of Finney’s testing process, working closely with gaffer Scott Napier and drawing upon PKE Lighting’s inventory. Good Omens’ new Scottish location posed an initial challenge: as the studio was in an old warehouse rather than being purpose-built for filming, its ceilings weren’t as high as one would normally expect. This meant Finney and Napier had to work out a low-profile way of putting in a lot of fixtures. 

Inside Crowley’s treasured Bentley.

Their first task was to test various textiles, LED wash lights and different weight loadings, to establish what they were working with for the street exteriors. “We worked out that what was needed were 12 SkyPanels per 20’x20’ silk, so each one was a block of 20’x20’, then we scaled that up,” Finney recalls. “I wanted a very seamless sky, so I used full grid cloth which made it very, very smooth. That was important because we’ve got lots of cars constantly driving around the set and the sloped windscreens reflect the ceiling. So we had to have seamless textiles – PKE had to source around 12,000 feet of textiles so that we could put them together, so the reflections in the windscreens of the cars just showed white gridcloth rather than lots of stage lights. We then drove the car around the set to test it from different angles.”  

On the floor, they mostly worked with LEDs, providing huge energy and cost savings for the production. Astera’s Titan Tubes came in handy for a fun flashback scene with John Hamm’s character Gabriel. The DP remembers: “[Gabriel] was travelling down a 30-foot feather tunnel. We built a feather tunnel on the stage and wrapped it in a ring of Astera tubes, which were then programmed by dimmer op Jon Towler to animate, pulse and change different colours. Each part of Gabriel’s journey through his consciousness has a different colour to it.” 

Among the rigs built was a 20-strong Creamsource Vortex setup for the graveyard scene in the “Body Snatchers” minisode, shot in Stirling. “We took all the yokes off each light then put them on a custom-made aluminium rig so we could have them very close. We put them up on a big telehandler on a hill that gave me a soft mood light, which was very adjustable, windproof and rainproof.” 

Shooting on the VP stage for the birth of the universe scenes in episode one.

Sky’s the limit 

A lot of weather effects were done in camera – including lightning effects pulsed in that allowed both direct fork lightning and sheet lightning to spread down the streets. In the grade, colourist Spensley was also able to work his creative magic on the show’s skies. “Gareth is a very artistic colourist – he’s a genius at changing skies,” Finney says. “Often in the UK you get these very boring, flat skies, but he’s got a library of dramatic skies that you can drop in. That would usually be done by VFX, but he’s got the ability to do it in Baselight, so a flat sky suddenly becomes a glorious sunset.” 

Finney emphasises that the grade is a very involved process for a series like Good Omens, especially with its VFX-heavy nature. “This means VFX sequences often need extra work when it comes back into the timeline,” says the DP. “So, we often add camera movement or camera shake to crank the image up a bit. Having a colourist like Gareth is central to a big show like Good Omens, to bring all the different visual elements together and to make it seamless. It’s quite a long grade process but it’s worth its weight in gold.” 

Shooting in the VR cube for the blitz scenes .

Finney took advantage of virtual production (VP) technology for the driving scenes in Crowley’s classic Bentley. The volume was built on their Scottish set: a 4x7m cube with a roof that could go up and down on motorised winches as needed. “We pulled the cars in and out on skates – they went up on little jacks, which you could then rotate and move the car around within the volume,” he explains. “We had two floating screens that we could move around to fill in and use as additional source lighting. Then we had generated plates – either CGI or real location plates –projected 360º around the car. Sometimes we used the volume in-camera but if we needed to do more work downstream; we’d use a green screen frustum.” Universal Pixels collaborated with Finney to supply in-camera VFX expertise, crew and technical equipment for the in-vehicle driving sequences and rear projection for the crucial car shots. 

John Hamm was suspended in the middle of this lighting rig and superimposed into the feather tunnel.

Interestingly, while shooting at a VP stage in Leith, the team also used the volume as a huge, animated light source in its own right – a new technique for Finney. “We had the camera pointing away from [the volume] so the screen provided this massive, IMAX-sized light effect for the actors. We had a simple animation of the expanding universe projected onto the screen so the actors could actually see it, and it gave me the animated light back on the actors.”  

Bringing such esteemed authors’ imaginations to the screen is no small task, but Finney was proud to helped bring Crowley and Aziraphale’s adventures to life once again. He adds: “What’s nice about Good Omens, especially when there’s so much bad news in the world, is that it’s a good news show. It’s a very funny show. It’s also about good and evil, love and doing the right thing, people getting together irrespective of backgrounds. It’s a hopeful message, and I think that that’s what we all need.” 

Finney is no stranger to the idiosyncratic world of Sir Terry Pratchett and Neil Gaiman.

[wasitforrevenge]

oh sweetheart

pairing: boxer! ellie williams x f reader au

word count: 1.9k

rating: 18+

warnings: boxer!ellie, drinking, smoking, cursing, creepy guy but ellie comes to ur defense!! ellie has lots of tattoos, fighting, threats, idk if im missing anything (no character description or anything specific)

summary: you didn't expect to meet her on this night out.

authors notes: hi friends! this is my first time writing and posting on here hopefully you enjoy, please reblog, like or follow! lets be mutuals :) anyways feedback and constructive criticism is always welcome and appreciated! ellie williams has me on my hands and knees!!! i hope you enjoy! i like the idea of making this a series if it works out and ppl like it, so pls let m know!! thank you :)

PART 1 | part 2

series masterlist <3

from the river to the sea, palestine will be free 🇵🇸

READ: this account stands with palestine, and so— i require everyone who interacts to educate themselves, and support/donate. READ THESE; 1 and 2, HELP HERE, BOYCOTT. silence is complicity, do not scroll past this.

DO NOT BUY THE REMASTER, TLOU2, TLOU1, OR ANY GAME FROM NAUGHTY DOG! neil druckmann (the creator) is a zionist. PLEASE READ THIS. AND REBLOG THIS.

loud. everything is loud. the smell of sweat and blood stains the air around you. the sounds of people cheering and shouting towards the center of the large room. the lights are buzzing above you as you are walking into the entrance of the shitty run down gym your brother, jesse, and his girlfriend, dina, ended up dragging you to tonight.

you didn't mind coming along with him but this wasn't what you expected to be doing tonight. after a long shitty week of unpacking your new apartment, you kinda just wanted to end up a hole in the wall bar and drink your stress away but he had other plans. which including watching grown men beat the shit of each other for their cut at the end of the night.

it was intimidating, walking through the crowds of people you didn't know until you finally make it to where his friends were waiting for you guys. they were sitting at a table with a clear shot of the fight which was surprising since the whole place seemed to have more people in it then it could fit. you make your way awkwardly to the empty seats saying a gentle "hello guys" to your brothers friends who you didn't knowl. you sat next to dina as jesse made his way to the bar with your drink orders.

after you graduated highschool, you moved to new york and spend 4 years there working in a small cafe you lived above but now at the start of the summer, still not sure what you should be doing with your life. now you're 22 and you've moved to the city of jackson to be closer to your older brother and his girlfriend. you were excited to start fresh in a place where no one knew you yet, you were ready to leave your old life and those toxic things in the past. but you wondered if it was even possible.

you spend the next hour talking with dina and catching up on the things that have happened since you moved, "have you started looking for jobs yet?" she asked as you both sipped on the second drink of the night that jesse went and brought back a bit ago. you've only met a couple times in person since they started dating about 2 years ago but you loved her, she was making this night a lot better. "not much luck yet, i don't know what to do, luckily i have some time to figure something out." you responded. she went to say something but then the loud speakers around the room started blaring music and the countdown to the match that was about to start.

jesse tapped dinas shoulder to go watch with the rest of them. dinas eyes met yours and asked, "are you coming up?" you started getting nervous as the people started getting louder and crowding towards the center ring and told her that you'll stay here and watch. they both nodded and said they'd be back when it was over.

you took this opportunity to finally go get some fresh air since the crowd isn't all over anymore and it was a straight shot to the door you came in, you walked over to the side of the building, definitely feeling the drinks you had, you let your back rest against the concrete wall, finally cooling you down on this hot summer night. there's people standing outside talking but they payed no attention to you. you stayed against the wall as you pull out the cigarette pack from the pocket of your thin dark green jacket and the lighter out of your back pocket in your jean shorts. you cursed yourself for not buying more but its a bad habit and you know it. you pulled one out and put it in your lips as you brought the lighter up and took a drag, finally letting the anxiety go as you stared off into the sky.

"excuse me miss, you shouldn't be out here alone, a beautiful girl like you," a man with a rough voice said but you didn't move to look, suddenly wishing you never left your apartment to begin with, "hello i'm talking to you, its not nice to ignore people, ya know," he slurred his words as he spoke. you turned your head as you went to tell him to leave you alone but instead, he was standing in front of you before you knew it you dropped your smoke and now he's practically cornered you.

he was so close you could smell the alcohol on his breathe as he spoke again, "now are you gonna talk to-" you leaned away from him as he was interrupted by the sound of a door opening a few feet away, he looked towards it but then turned back to you just as quick, almost touching you as he went to speak again but he was beat to it.

"get off her." you didn't even realize the door had opened until you heard her.

the man looked back towards the door to the figure in the light, he squinted and when he got a good look, he suddenly backed off and put his hands up. "hey hey i wasn't doing nothin- it was nothing!" he shouted back to whoever was next to the still open door, light shining into the alley.

the door slams and the light fades as the figure walks closer towards you and your eyes meet the deep green eyes of the person who just saved you as she turned to the man who was just cornering you against the wall.

"it doesn't look like nothing, i mean, really? you're fucking joking right?" she questioned him as she looked him right in the eyes.

"i said it was nothing- she was flirting with me and-" he was cut off as she laughed loudly. "yeah you're full of shit, get the fuck out of here and don't let me see you again or you'll regret it." she said as she stepped closer towards him, almost at the same height, he looked scared of her. "okay, okay- fuck 'm leaving!" he slurred one last time as he turned around and headed the opposite way of the run down gym.

you stood there as the interaction happened, not sure what to do or say yet, you were silent as he walked off, and those green eyes met yours again and you saw her lips moving as she was speaking but you caught nothing she said. "hey, you okay there?" she asked you as she went to stand in front of you, looking you up and down, checking if you're psychically okay while she gave you a second to process before she asked you again.

"hey sweetheart, you okay?" she asked and grabbed your arm, not in a way that the man would have but like she was actually making sure you were okay, and this time you finally heard her.

"h- yes im okay, just- fuck- yes thank you." you said finally getting a good look at her now that she's up close and touching you. her eyes were greener than you thought, her short auburn hair with some pulled back into a bun, the big moth tattoo wrapped around her right forearm that was still holding onto yours, other tattoos littered her arms and some poking out under her t-shirt she was wearing. she was so close to you and it sent butterflies through your body. now is not the time, you thought to yourself.

"are you sure- 'm sorry that happened, fuck him." she said roughly, not towards you but him.

"its okay, thank- thank you for helping me" you said gently to the girl who was still looking into your eyes. you had been so focused on hers that you didn't even see the tiny scars, small healing cuts and the bruises that were fading until you looked over her face again.

"yeah of course, are you here alone?" she asked you curiously still holding on to you, you weren't even phased by it. you told her you were here with your brother and she nodded her head towards the door, "lets get you back to him before anything else happens sweetheart" she said as she guided you to the door, hand on your back, as you swallowed and went first.

suddenly all the sounds that you had not realized you had been blocking begin again, smells of the sweaty bodies surround you again and you felt too hot, either because of her or the summer heat trapped in here. once you made it inside, she moved her hand off the small of your back and told her to go find your brother and to get home safe. when she walked away, you realized you didn't even know her name.

you saw dina, sitting along with a few of jesses friends and made your way over to her. the match must've ended while you were outside. you walked through the gym to sit back down, moving carefully to avoid touching anyone. once you made it to the table, dina wondered where you had ran off too. "oh just went out to get some fresh air," you said back to her smiling, not wanting her to worry. she told you jesse went to get more drinks and after the encounter outside, you needed it.

jesse came back a few moments later, holding a round of shots for you three. "here you ladies go," he spoke with a happy look on his face. you smiled slightly back and took the glass as dina laughed at him. you took the shot, trying to forget what happened outside with the man but not what happened with her. you wondered if you would see her again. is she here to watch? could she work at the bar? is she here with friends too? your thoughts were interrupted by an announcement over the speaks that the final match was gonna start soon.

dina and jesse were telling you, "its the last one tonight and the last ones are always the best so lets go!" you would rather sit and order another drink, but what if something else happened cause you were alone? so reluctantly you got up with them and got closer to the middle ring, you heard the loud speakers announcing the boxers as they entered the ring. you weren't even paying attention, nothing could stop your mind racing with thoughts about the girl outside.

you shake yourself out of the trance when dina reaches over to you to touch your hands that were shaking but you didn't even realize, you look to her and give her smile that she returns, then she looks back to the ring and you turn your head to follow her eyes to the center. and your breathe caught.

thats her.

thats the girl who saved you outside.

the girl with her hands wrapped in tape and the mouthguard in.

the girl who wondered if she'd ever see you again either, not that you knew that, but she hoped it wasn't the last time.

you wondered what she thought as you both stared back at each other. you heard the coach start the countdown. you just watched her.

...5

...4

...3

...2

as the buzzer started, she smiled directly at you then turned to throw the first punch.

[vifilms]

we could go there | a. anderson

tags: eighteen+, sexual innuendoes, mentions of sex, jealousy, ow*n, beware i'm an ow*n hater 'nd i display that hatred here, two gays in love, fem!reader, fluff city, get a snack bc this is the longest fic i've ever posted.

a/n. hi guys. it's ray, again. as i begin to roll out content slowly, i want to make it clear, i fully support palestine. anyone who consumes my content, i strongly encourage to do the same. i have no patience for ignorance. below are links to take a look at. educate yourself, donate where you can, and reblog if you can't. hopefully you guys like this one, it's been a labor of love and a bit different than what i normally post. anyways, with love as always ♡

wc. 9k

DO NOT BUY TLOU, FUCK NEIL DRUCKMANN + EDUCATE YOURSELF + DAILY CLICK FOR PALESTINE + DONATE TO PALESTINE.

divider creds — @cafekitsune

Owen could not have been this fucking stupid. Practically trying to piss all over Abby as if she were something to own, some damn property to own, as if she wasn’t an actual person with feelings who could make her own decisions. The man only thought with his dick and the ugly green head growing endlessly. He only thought of what he wanted – never what she needs.

Meaning the only thought bouncing in your mind? Punching his crooked jaw.

To put it simply, Owen was not managing the breakup well by any means. It had been three months and still Owen continued to grab onto Abby like a leech. For this exact reason, you told Abby you wanted to keep whatever was happening between you away from prying eyes. Everything with Abby was still new, and you did not want to rush it. Ruin it even. Really, you wanted to stay in this small, secure bubble with her for the longest you could.

So, you kept it this way.

It was nice when it was just the two of you. Abby always likes to cook for you after a long week. Friday nights ending with her, a bottle of red on the dining room table, her cuddled up to your side. It surprised you how willing she was to be available for you each week, only missing one Friday due to a nasty cold. There were no prying eyes, no preconceived judgement – absolutely no expectations. Just you and those gorgeous blue eyes you couldn’t help but fall deeper for. With a soft familiar shine, every word she spoke dripped like pure honey all over your heart, making it brand new again.

You didn’t know what sweet was until her.

Never been more sure of it until now.

As if there was never an ache to be had, a heart broken – she seemed to seamlessly mend every broken piece of you.

You were so soft on her, and the Friday night dates only helped the cause. There wasn’t a damn thing you could do to help yourself from falling for her. Even when your knee jerk reaction is to run in the opposite direction, your feet stay glued to the ground. Kind words and services of affection gripped your heart with an iron fist and somehow, she managed not to break it.

You loved it. You were terrified. You want to run into her arms and never let go.

But of course, the man was the complication. The retched, jealous ex-boyfriend who could not imagine her being with a woman when he was right there. Owen always seemed to try and worm his way whenever he was around the two of you. Abby knew, just as well as you did, he wouldn’t be able to stomach you two together. So, she tried to keep it concealed for his sake and she wants to protect you. Owen is her loose end to tie; the last thing she wants is you in the middle of it.

Especially when things were going so well with you. Abby really had not expected to move on so fast, or at least find someone as amazing as you so soon, but you were right under her nose the whole time. She felt like an idiot for never recognizing it, but she thought better late than never, right? It’s overwhelming guilt consuming her, telling her it’s wrong to feel this happy so soon, but there’s no choice but to shove it down.

If she wants to be happy, pretend like the stress of Owen’s instigations aren’t getting to her, she needs to shove.

So, Abby shoves.

The stoic-blonde tries her best to hide what you two had from the rest of the group. Not until she dealt with her baby of an ex-boyfriend and his unresolved feelings. She just wanted to give him enough space to move on, but now it would be impossible.

She knew it and you did too. To Owen, it had been the most obvious. You were almost certain he was starting to put the two pieces together.

God was he being even more insufferable than ever.

It was nauseating you the way he was acting. He needed to be talking to Abby, sitting by Abby, touching Abby. Abby. Abby. Abby. The ignorant man’s mind focused on one thing, and it was his ex-girlfriend. Deep in his bones he believed there was still truly a shot and part of you thought there was. She did not like girls, or you, as much as she thought she did. She kept him around, never refusing what he wanted, and the two of you were not official.

You told yourself so many times, lies of assurance turned into fact in your mind, masking what the truth actually is.

Truly, there’s little to do.

Abby did not really owe you a damn thing.

Sure, she was available for you and those nights were everything to you. Most of them spent together ending with her fucking you, whispering sweet nothings into your ear before you fell asleep in each other’s arms.

You’re just a need for her to fill. A quick fuck, that’s all you are.

Persistent as ever, thoughts of doubt seemed to nag and linger throughout your head.

You’re not good enough for her.

She’ll run back to him.

Abby just wants your body, not you.

Everything had an expiration date and possibly, you need to start facing the harsh reality, she could not possibly be ready for all of this. Although, the possibility of her still hung up over Owen filled you up entirely with disdain.

What else were you supposed to think? Abby refused to cut ties; she wants to keep the two of you a secret. Even if she had been stuck to your side like glue all night, it did not stop the anxious feeling rumbling in the pit of your stomach.

You craved for more, but it could be possible you were just the building block until she found the next person to move onto. It’s not like Owen and her were some short-term fling. They had been together for years and clearly, he thought it would be for the long haul. He knew her in ways you couldn’t. The pair had been friends since they were kids. He gave her the support she needed when she lost her dad.

You could even understand how difficult it would be to give up someone like that, even if it was Owen. You would never blame her for not being able to let go of it. Never would you be able to forgive yourself if you held her to this crazy expectation, just like Owen did. So, you tried to hide for both of your sakes. It’s been easier in your relationship with Abby in the beginning. When it was new and fun, it went unnoticed.

But it clearly written all over the two of you tonight.

You were too drunk and even if Owen’s eyes were on the two of you, all you saw was her. Everyone was busy roasting marshmallows, still cool enough in beginning of spring, fire crackling as you watched it glow Abby’s features.

Her freckled cheeks and ivory skin sporting an orange hue and you were a little too obsessed with it.

She’s so beautiful. All you can think about is pressing your lips against hers, claiming her in front of everyone. It’s all you want.

But your own insecurity gets the best of you and somehow, it’s possible to dig down deep, suppressing the urge.

So, you try to place your focus elsewhere.

Even if being here with Abby, side by side, was a bad idea. She shoved her pussy in your face for consolation. You come with her, a party Owen would be at, and you finally get to eat her pussy out which you took full advantage of prior to arriving.

-

Ellie thought it would be important for the gang to get together before spring break rolled in and you had agreed along with Abby. Thankfully, Owen had shown up late and the only spot available to him was on singular chair across from where you were snuggled up with Abby on a two-seat bench.

Your hand on her thigh as you told her something dumb, silly even, but the smile on her burned so bright – you couldn’t help it. Any day of the week, it’s all you want. To see her happy, beaming. It just so happened to be your luck she did it often with you. She might’ve been cautious with Owen around, especially when it came to her proximity with you.

You’d eaten her out on your bed, before you rode in the passenger side of her jeep. Fuck, did you love how happy she looked, how relaxed she’d seemed. Abby didn’t tell you, but Owen had never even offered to do that before. The fact you had been begging for it unprompted had her heart pumping. Delicate hands running over her thick thighs as she let you spread them out wide before you made yourself comfortable between them.

She was replaying it over in her mind as she smiled wide at you. Abby could listen to you talk about whatever, forever. You made her feel good, didn’t ask her anything in return, but she would absolutely return the favor. Maybe by the end of the night, even.

It’s moments like these, making you believe this could be something special. Even convincing you Abby would want this with you, to be your girlfriend. For her to be yours seemed like a fever dream, but the more time you spent with her, you couldn’t deny it’s all you wanted. You were just terrified she couldn’t possibly want to be like this with you.

The uncertainty was a bitch and you felt like you were choking on it.

“Where’d you go, sweet girl?” Abby’s thumb smoothed over your chin. She wants to pull you in closer, claim you in front of everyone, but she doesn’t want to deal with the heat from Owen. Abby is fully capable of handling him, yet she can’t find it within herself to subject you to it.

It’s the last thing you deserve, not when you’ve been anything but perfect to her.

She tries to pretend the fear isn’t there as her throat bobs, attempting to swallow it down.

“Just thinking about…someone.” You drew out with a smirk on your face.

“Someone, hmm? Is a certain blonde the someone? Is she in the room with us?” Abby looks around in faux cluelessness. You have no choice but to laugh as she roasts two marshmallows for the two of you in one of her large hands.

“She might be, but she’s being silly right now. I’m not so sure anymore.” You teased, a smirk pulling at your lips. Abby likes how it feels to have your hand on her thigh, thumb rubbing back and forth. She’s thankful for the fuzzy, thick blanket placed over you both, concealing unwanted eyes from the affection.

The chilly, midnight air bites into your skin, it’s dropping more quickly than you anticipated but you’ll live.

Abby still feels the rapid beating of her heart, it’s deep in her soul. She wonders if you can feel it too. She takes a moment to look at you, really let her gaze fall on you and she knows how badly she’s fallen. It feels obvious, in the way her blue eyes are glossed over in love, the way she offered to roast your marshmallow for you, the way she insisted on sitting next to you whenever you were making your way over to the other bench with Jesse. She takes note of the black hoodie you’re wearing, the one you stole from her closet, her cheeks are crimson, but she’ll blame it on the cold if anyone asks.

Yeah, it’s the cold making her heart skip a beat.

“Are you sure you’re not cold?” Abby asks again, taking note of your body shivering before her.

“I-I’m fine, Abs. Promise?” But you weren’t. Your body was shivering, and you couldn’t speak without your teeth chattering.

“Oh yeah. You’re fine, right?” Abby taunts.

“Abby…please. Not right now.”

“What?”

“You know exactly what.”

“Maybe you should spell it out for me.”

“Now, you’re just being mean, Abs.” You begged, pleaded with her to let this go. You didn’t need another reason for him to judge either of you. The two of you already had been more affectionate than you wanted to be in front of Owen.

“Oh, I’m the mean one?” She tilted her head cockily, her tongue poking the inside of her cheek. Dangerously leaning into you as her eyes took a quick glance at your lips. Forbidden fruit she could only have in the safety of your apartment or hers. Made her full warm, her mind wondering about how you made her feel. All the things you’d done to her, how you always picked up when she called, how you seemed to know what to say and at the right times.

It’s not fair.

“Tonight, you are.” You replied, trying to see if there was another conversation to escape into, but everyone was engaged in conversation, except for Owen. He was looking right at you, furrowed eyebrows and jaw clenching as he took Abby’s undivided attention directed towards you.

“He’s looking right at us, Abby. You guard dog looks like he wants to choke me out.” You turned towards her muscular frame, only to find she has leaned in even more. God, she was trying to torture you. Infinitely so.

“Well, he’ll have to get in line.” Abby teased, dropping a wink that made you feel hot in the bitter cold.

“Baby, you’re killing me.” You lightly pushed her, laying your head against her shoulder.

“Calling me baby in public? Are you trying to torture me…baby?” Abby whispered in your ear as she maneuvered her free hand underneath the blanket and interlocking with yours. She kept it against her thigh, but it was her turn to rub her thumb against your skin.

“No can even hear us.”

“Would you care even if they could?” You paused for a moment as you contemplated.

Would you truly? Owen’s reaction wouldn’t be the best, but it would take the relief off your shoulders. Honestly, you would have been nervous if Abby was truly serious about this.

About you, but she’s not.

“You’re holding my hand, Abby.” You sighed, content with her warm fingers heating up your freezing ones.

“Yeah, I’ve been thinking doing more than just holding your hand.” Abby rested her head against yours, “But I’ll settle for this, at least for right now.”

“Yeah?”

“You’re pretty much all I think about these days, especially after you ate me out this afternoon.” You feel the heat even in the freezing cold, taking the sharp remark right off your tongue.

She was smirking wildly at her accomplishment, until she noticed the glare being sent her way.

Abby stares at Owen and she can tell how angry he looks, but she knows better than anyone he’s all bark and no bite. He won’t say anything to her right now, not until she’s alone. He doesn’t want you around when he says what he needs to.

Abby knows what he wishes to tell her. It’s been on the tip of Owen’s tongue after the breakup, but it’s a little too late. She doesn’t care to hear how sorry he is. It’s holding no weight. He only wants to fix things once he’s turned her into an afterthought. It makes her feel sick, unwanted even.

She feels none of those things when she’s with you. All the doubt, self-hatred, and regret piles in the back of her throat when she thinks about Owen. His presence no longer provides her with comfort and safety. All she sees is the blood on his hands and it fuels her with rage. She shouldn’t feel this way. Abby doesn’t want to, so she drowns herself in you.

Abby can’t feed into his delusion anymore; she knows she can’t. Not if she wants to keep you around and keep you happy.

Owen knows his limits. Abby will never talk to him if he interrupts her while she’s preoccupied with you, she’ll be out for his neck if he tries anything, the look she was giving told him that.

“Would you just stop being stubborn and take my jacket?” Abby speaks quietly. She removes the marshmallows from the pit of the fire, and you grab the graham crackers and the chocolate with your free hand.

Purposefully, you ignored her comment.

“You know, this would be easier if you let go of my hand.”

“Not going to happen, gorgeous.” Abby chuckled as she watched you struggling to remove the graham cracker from the plastic encasing. She takes in the way your eyebrow furrows in concentration, trying to get this god-awful plastic away from the treasure. Plump lips pouting, practically begging for assistance.

“Abbbyyyyyy.” You grunt, clearly frustrated with the damn crackers.

“Do you want my help, baby?” She asks innocently, but there’s nothing innocent about her voice. It makes you want to fuck her right in front of everyone. Especially with Owen watching. Yeah, fuck him. Why did you have to suffer for his shortcomings? Clearly, he wasn’t good enough for her, but you would be. You’d treat her like she fucking deserves. In your bones, deep in your very being, you would never make her feel like Owen did.

She’s perfect in your eyes. So precious and joyful, she made you feel good, and you hoped you did the same for her. Carefully, she set the marshmallows she’d be holding on the skewers and placed them carefully in your lap.

“Give it here, baby.” Abby’s delicious, big palm inviting you to place the bag in her hand and you did. It shouldn’t have been as sinful as it is, but she barred her teeth on the seam, creating a tear, placing the crackers on her lap. Immediately, Abby rested her head against yours once again. It made your heart skip a beat; how close she wants to be with you tonight.

Secretly, it’d been kind of an unspoken agreement when she was with Owen. Abby didn’t like public affection, never really had been into it. Made her feel nauseous at the thought. So, Owen stopped trying and because of it you’d make a point to never push more than she was ready for. But making her come on your tongue three times before you left the coziness of your apartment brought it out of her. Somehow, you had managed to subdue her into a needy, whining little girl who needed your touch, or she just might just die right then and there.

It's what you told yourself. You weren’t quite sure what else to believe.

Abby knew the truth; she’d been hiding tucking it away for safe keeping. She could let you know when she was ready, but right now, mindlessly she let herself lean into your body. With an open heart, Abby allows herself to feel the warmth and comfort only you could provide. The soft feeling in her heart she’d never felt with anyone else.

Silently, you brought your eyes to connect with Dina’s before she dropped a not-so-subtle wink.

Dina was the one who convinced you to even go for it in the first place with Abby. You really didn’t want to pick on the dead carcass of her fall out with Owen, but it was clear to everyone just how much Abby cared for you. Dina was sure the braided blonde didn’t even know it herself at the time, but anyone with eyes could see.

All of it had been so easy, being with her was the most natural thing in the world. This right here; she’s the blueprint for what it’s supposed to be like. It helps she’s sweet on you, more than anyone has ever been. You wish you could look at her right now. The beanie was so goddamn cute on her. She looked too good with her bomber jacket, the one she offered to you insistently. Repeatedly because she knew how damn cold you are. But you’d prefer her cuddled up into your side — her body heat felt better than any coat could.

“Do you have the chocolate?” Abby asks sweetly and you hand it to her, and she breaks up a handful of bars as she places on top of the the graham crackers she pulled out of the bag. “Can you?” She lets the end of her sentence drag off, but you know exactly what she needs.

You lift your head from her shoulder, and she pouts at the disconnect.

“Why’d you move?” She brings her hand closer to her inner thigh and it’s when you feel the bulge concealed beneath her trousers. You don’t say anything — you don’t want to spoil the fun she clearly has planned. Although, it makes you feel heated. The intention behind it sent shivers down your spine, goosebumps spreading all over your skin.

“You’re being stubborn, Abs.” You huffed trying to pull your hand away, but her grip tightens.

Got it. Better not poke the bear.

“Just place it right there. I’ll remove it from the skew.” You listen to her, picking up the first one and placing it delicately on top of the chocolate, and you slowly pull it away as Abby looks you dead in the eye. Making s’mores feels more sensual than it should be, but maybe just being around her makes you feel this way.

It’s just her making the tingling feeling between your thighs reignite.

Abby’s hands are sticky from the roasted pillow of sweet, white substance stuck around her fingers. Her heavy-lidded eyes, look down at her fingers before looking back at you. She seemed to be in a daze, thinking of something else. You could guess exactly what Abby was thinking of.

“I would ask you to clean it for me if we were alone, but this will have to do.” She slides her forefinger and middle in her mouth, and god, you’re imagining it. Your mouth wrapped around her thick fingers, tongue circling around it as if it was her cock fucking your mouth. It got her off just as much as you did.

She liked to have you like this, completely and utterly under her control.

Abby pulls off with a hardly subtle pop, her lips are moist and fuck, her fingers are incredibly wet. You can practically feel your cunt purring at her, the throbbing insatiable as you’re looking at your pretty girl like she’s a slab of meat to be butchered and slaughtered. Really, you can’t help it.

The sex isn’t just good. It’s fucking amazing. Stupidly obvious in the way it just makes sense with Abby. She’s reminding you of it, as she gestures for you to pick up the second skew. Sticky fingers getting caught on the marshmallow again, cleaning it off with her mouth again. Breathy, quiet, moan slips out before you can catch it and she’s smirking so loudly you want to kiss it off her deeply cocky face.

“Hm, guess I can’t blame you for getting all hot and bothered. I know how much you love my fingers. Especially when they’re inside you, huh? Just a little bit of déjà vu from last week.” Abby teased lightly.

“You’re going to pay for this.” Threatening the blonde beauty as you grabbed the finished s’more, and she grabbed the other one.

“Am I?” Abby’s voice dropping an octave lower than how she usually talks. Trying to do her best to bring out all the stops to do her best to effectively ruin you.

The answer to her question is left open in the air, the two of you silently finishing off your s’mores, her hand still in yours. Abby doesn’t want to let go. Even wants to hold your hand on top of the blanket, for everyone to see, but she doesn’t want anyone to ruin the moment. She’ll take for this now, but knowingly will push for more for later. When you’re ready for it. It’s still fresh, new and she needs to learn to be patient even if it’s the last thing she wants to do.

This time Abby is leaning her head on your shoulder. She takes in your sweet sent, pine mixed with vanilla, and it intoxicates her. Owen is finally engaged somewhere else besides her. It’s a relief. To not feel his accusatory eyes on her. Abby doesn’t want to feel guilty about her affection towards you. You’re too lovely for this to be seen as anything but beautiful.

She won’t let anyone take this away from either one of you.

You engage in conversation with Ellie and Dina, they’re to the left of you where you and Abby are sat. Dina’s, making you laugh about something stupid Ellie did earlier this week. Ellie claims it’s not nearly as stupid as Dina makes it out to be, which only sends you and Dina through a tailspin.

It obviously was just as idiotic as it sounds, but what Dina says next brings Abby to full attention.

“Hey, were you going to call Leah back? She sounds pretty interested in seeing you.” Dina questions you, a smirk playing at her lips, and it makes you want to scream.

Fuck.

Dirty fucking Dina.

She played it off as coy, maybe Abby wouldn’t question Dina’s intentions, but she sure as hell would give yours a second thought. Ellie let a small chuckle, earning a death glare from Abby. It was painfully obvious to the couple the feelings you felt towards one another, but neither of you took steps towards making it official.

“Leah?” Abby questions, her grip on your hand tightens, afraid if she eased up, you might slip.

“Y-Yeah, just a girl I met at the work event I told you about.” You let out, trying to land the blow gently but it already had made its impact with Abby. There was nothing gentle about the knife she felt in her heart.

Abby’s jaw clenches too many times for you to count, her grip is cruel, and she won’t meet your eyes. She suddenly finds the flames in front of her incredibly interesting. Ember reflects from Abby’s eyes, they’re still blue, but icy as you try to find them, but she refuses.

You want to tell her it’s innocent. It doesn’t mean anything, and it really doesn’t. You felt stupidly insecure that night. Pleading Abby to come with you, but it was Owen’s birthday dinner, and she couldn’t make it. Felt like a horrible slap in the face for her to pick him over you even after the breakup. One cocktail turned into five and before you knew it, you put your number into a pretty girl’s phone. She danced with you, she flirted, and it felt nice to be someone’s priority, their full attention seated with you.

The night ended with a sweet kiss on the lips, a promise she would text, and you would call her. Leah made good on her promise, and you found yourself falling incredibly short of yours. Abby came over around midnight, it felt a punch to the gut to make time for you now but not before. Yet, you let her in even after how miserable and alone her actions made you feel.

All you see is her. Her lips and the voice you love. She makes the anger melt away as if she wasn’t the one to instigate it in the first place.

She apologizes for not taking you up on the offer. Her puppy eyes pleading for forgiveness. She has a tote full of goods which allow her to breach past your door. Chocolate covered strawberries, a bottle of your favorite red wine, the ingredients for your favorite dinner, and tempting lips you’ll know will have their way with you by the end of the night. Abby knows just as well as you do, both of you are fucked.

It’s the first time she stays over at your place, and it feels solidified. This could all end up in flames, with both of you burned, but somehow it feels worth the risk. The light glistens through the bedroom window as it shines on her eyes, the blue standing out as she looks on your sleeping form. Black sheet concealing your body from her. Then it’s almost like you know she’s watching you and your eyes open meeting hers.

Smiling softly, it reaches your eyes, and your head nuzzles into her chest, sighing contently. Before, your brain could excuse how you felt, but after that night, it had changed. You realized just how much Abby had wormed her way into your heart, into your soul – you didn’t wish for her to leave.

But it still didn’t negate what you felt, the fear of losing her to someone she might still be in love with. Yeah, so she did feel remorseful for picking him over you, it didn’t mean she still didn’t care about him. It was Abby – of course she did. Everything was still so new, there wasn’t enough foundation to land on, for either of you to be sure. You had to hope it was strong enough to support the two of you.

You felt lonely, and Abby wasn’t there to give you the comfort you needed so this was your way of lashing out without speaking to her about it. It was small, but the thought echoed and occupied all the space in your brain.

She’ll leave you for a man, they always do. How could this be any different?

Past experiences drawing the conclusion for you, instead of actually speaking with her about how you felt, leaving Dina to air out your dirty laundry.

Dina kept talking, but she changed the subject. Still, didn’t stop how tense Abby is. She refused to notice anyone, her focus trained on the flames in front of her, anger brewing beneath the surface. You were holding onto the fact she hadn’t let go of your hand. Maybe you could settle your strong headed, burly bear.

You’d seen a couple times just how protective she could be over you. The fact you were possibly entertaining someone else, besides her, stung.

Everyone else had funneled inside, but Abby stayed by your side. She still wouldn’t look at you. She was as stoic as you’d ever seen her. She still wouldn’t keep her eyes off the fire, it was dying out and it felt like there wasn’t much you could do but watch it with her.

Owen would get exactly what he wanted. Maybe the two of you would never even become a thing because of your fatal case of loneliness. It made you nauseous. He didn’t deserve her, but it seems neither did you.

“So, who’s this Leah?” Abby broke the silence, her voice cracking in the process. “A-And why didn’t you tell me about her?”

You bite on your bottom lip, tugging it so carelessly you could taste the iron.

“It’s not important. She’s not important.” You reassure, but it doesn’t offer Abby much comfort.

“Obviously she’s important enough for Dina to know about her and not me.” Abby bites, her tone colder than it ever has been directed towards you.

“It’s not what you think, Abs.” You pause, not wanting to lie to her. You can see the self-doubt swimming in her eyes, and you need to do your best and reassure her, nothing is going on. “It was before, you know, that night.”

“So, you were seeing her? Both of us at the same time.” She thinks it’s not even a question. She states it as if there is nothing to be found but truth. It feels like there is a blade in Abby’s back, one you put there yourself, but now she’s only feeling the wound.

“No, baby, will you just let me explain?” Abby nods, allowing you to continue.

This won’t break everything will it? You should have told her. It really was stupid not to, silently cursing at yourself.

You’re going to kill Dina for exposing you like this. Fuck. Damn the red wine and her loose lips.

“The night we were fighting about you coming as my plus one or going to Owen’s dinner? Do you remember that?” She nodded her head, waiting for you to continue. “Well, I sort of, met someone the same night. She gave me her number and we kissed.”

“Huh.” It was more bitter than contempt. Rage? You weren’t sure.

“You’re mad.” Abby’s jaw clenched; her grip was tight again. “I’m sorry, okay? In my head, you had abandoned me for him. I was lonely and hurt. I just wanted you there with me, yet you went with him, and it felt nice to have someone’s attention. It was stupid. I only did it because I felt like I didn’t have yours.”  

“Did, um, you ever see her after that?” Abby looked at you, finally. Her eyes begging for the answer she needed. Preparing for the worst but found herself hoping for the best.

“Abby?” You tilted your head to the side.

“What?”

“Do you really think I would?”

“I don’t know. I thought I was the only girl you were kissing.”

“Well…we do a little more than kiss.” You teased lightly, a smirk on your face.

“Stop being cute right now, it’s not fair.” The blonde pouts, upset she couldn’t stay upset. “I deserve to be angry right now.”

“Do you?” You leaned in closer, your breath kissing Abby’s face. “Last time I checked, I’m not your girlfriend.”

“Baby.” Abby whines, her frustration wasn’t holding. It never really did, but you did have a point. Neither of you had made this official, but Abby would argue it sure did feel like it.

“Look, I know we decided to keep things just been us, not really label it, because of your messy breakup with Owen. We were still trying to figure out what this was, and it was new and terrifying for you.” Your free hand found purchase on the end of her braid, tugging at the open strands, your thumb smoothing over it.

“I respected your decision and I’ve kept this between us. I mean, our friends do have eyes and it’s not like we’re exactly doing a good job of hiding it anymore.” You laughed softly and Abby was sporting a hint of a smile on her face.

 “That night when I spent time with Leah, I let my insecurities get the best of me. All I could think about was you and Owen. I had convinced myself you were getting back together with him, and this is why you had ditched me. It’s not an excuse, I should have told you about it, but what else am I supposed to believe?”

You took a deep breath, trying to control your emotions. You didn’t want to break down in front of her, but someone had to start this conversation. Abby sure wouldn’t. If it made you the bad guy, so be it.

“Even now, he’s still a concern. He looked like his head was going to blow off from pure despite. We’re still hiding. I can’t just sit here and pretend I’m okay with this anymore. I deserve to be with someone who can hold me hand in front of our friends.” You sighed, pulling away from her entirely, stepping towards the flames. It was time for the two of you to come to an end. It’d be better for the two of you, before either of you gets too invested and someone ends up really hurt. Sick and wretched filling gnawing at your heart, telling you it is already a little too late for that.

You love her, but you love yourself a little more. It’s not her fault, but your past girlfriends always burned you because of the ex-boyfriend. Broken promises of a future together until they crawled their way back to where they put themselves, back in the closet. The shame of liking girls, you, too much for them to bear.

Ending the same, your heart beaten to a pulp before you stitch yourself together again.

Abby hasn’t disagreed with anything you’ve said, making you believe she still holds a torch for him. The single thought alone makes you feel nauseous. Just being a placeholder, whether it be for Owen or someone else.

She stayed fucking quiet, and it only pissed you off.

This is it, the final nail in the coffin.

“Abby, I think we should put a pin in this. I-I’m sorry. I know you’ve apologized since that night, but I can’t see past him. Not if this isn’t going to become more. I need more than this.” You confessed to her, continuing to walk away from a still silent Abby.

It wasn’t fair how much you cared for her, possibly even love. Finding yourself choking on it and she seemed to be doing just fine with the thought of never having it again.

Maybe she was still in love with him after all. How fucking pathetic does this make you?

-

Abby was stoic the rest of the night. Owen noticed the space between the two of you and tried to use it to the best of his abilities once everyone was sitting around the couch, watching a classic Christmas film. The rest of the group was adding commentary when considered necessary, stuffing their mouth full of chocolate goodies and kettle corn. Trying but failing, you couldn’t focus on the movie. Not one bit.

All you could think about is how quiet she became, hands stuffed in her pocket as she watched you end things and didn’t pipe in once. It was clear you overestimated your importance to her. A rebound. A steppingstone. An experiment. You hated all of it. You hated thinking about it. All your fears about her came true and now you’d have to pick up the pieces alone.

She would go back with Owen. She’d never consider you an actual option. You would give her the whole world if she asked, but that was just it, she hadn’t. She wouldn’t. Not in the entirety of the four months you spent together. Abby was always trying to protect his feelings, but never considering she was shattering yours into tiny little pieces.

Making yourself scarce to the kitchen, Owen’s cocky smile and Abby’s avoidance to meet you in the eyes was allowing yourself to drown in self-depreciation. You couldn’t stand it. So, you chose the most delicious vice you could think of – chocolate covered strawberries.

It would do for now, until your heartache subsides, allowing yourself to get a grip on it. You were halfway into your fourth one when she walked in, of course she would. Fucking hell.

Your eyes trained on the food in front of you as you took another bite.

Don’t look at her. Don’t look at her. Don’t look at her.

She let you stand there in the cold, like a pathetic, lonely loser practically begging her to say anything and she stuffed her big, lovely hands in her jacket pockets and stayed silent. Abby doesn’t care, her conscious won’t let her be the one who’s hurt you. All she wants is to make amends; she doesn’t want you.

The seasonal depression has its tight hold on you, and Abby unwillingness to catch you, fuck, it makes you want to punch her stupidly gorgeous face. Who gave her the right to make you feel this way? Painfully, you see in your peripherals her hands twitching by her sides, standing in front of the door, at least supplying a barrier from everyone but you can see the uneasiness in her.

But you do look at her.

You wish you hadn’t.

Abby isn’t moving besides her hands; she’s shed herself of the coat and she’s in a sweater you bought for her with a chain around her neck that you also had gifted her on her birthday. It’s not fair to you how cozy she looks, how much you want to escape into her arms and welcome the comfort she would offer in a heartbeat. Her body runs like a human furnace.

You crave for her to tell you everything is going to be alright; you want her to reassure you with her lips on your temple, you want to bury your face in the crook of her neck and focus on her heartbeat. You’re still so damn cold, even in this heated house. Your body craves her comfort more than you want to admit, it’s become second nature.

Her hair is falling past her shoulders, beanie has been abandoned. Abby combs her fingers through her hair, giving them something to do because she’s almost certain she’s going to faint from seeing your pretty eyes glossed over. You’re drowning in something sweet, no doubt due to the bitter taste Abby left in your mouth.

It makes you even more uneasy the two of you were supposed to share a bed tonight. After everything, you didn’t trust yourself around her. Not one bit. Even if you were hurt, the second she put her arm around you, all anger would be thrown at the window. You didn’t want her to drive this late, it wasn’t safe. The roads were beginning to ice over and Abby hates driving at night. The only other room big enough for two was Owen’s and the thought made you want to puke all over him.

She finally spoke up and you were strangely thankful for it. You weren’t sure where your thoughts would’ve gone, resentment growing with them.

“I know you probably won’t believe me but I’m sorry. I should have asked you how you were feeling about all of it.” Abby apologized, but she hadn’t moved an inch. “I just thought…” She left you hanging, basically prying your lips open for a response.

“What?”

“There hasn’t been anyone else for me, okay? I-I don’t want anyone else.” She looked around the room, trying to focus her attention on anything else but your undivided attention. Her palms were sweating as she wiped them on her sweatpants. “Can I tell you something without you totally making fun of me for it?”

“I would never make fun of you, Abby. Not like this.” You offer a gentle smile, encouraging her. She knows now what she should’ve done before – fight for you.

Abby thinks it’s why you’re avoiding looking at her. She can see the wanting in your eyes. If you’re not looking closely enough it drowns in disappointment, but it’s still there. Abby recognizes the look; it’s how she looks at you. Disappointment can’t be found, but her love for you can.

The most perfect girl for her. Fuck, she’d found a way to ruin it.

You’re really the only person who puts up with her day-to-day shit and you don’t complain. You’re you about it. Incredibly graceful, sort of hurts Abby’s cheeks because it makes her smile so damn much. She’s taken advantage of your kindness, and she needs to make sure she does everything in her power to make amends.

“It’s okay, Abby. Whatever happens, you always have a safe space with me.” Reassuring her while biting into another strawberry.

You’re still so sweet. Fuck, Abby wants to kiss you, hard.

“I really believed I was in love with Owen, I care about him. He was there for me when shit hit the fan. Sometimes, I feel like I owe him because of it.” Abby took a breather as she stepped forward, but you stayed sitting on countertop.

“It’s not fair to you and it is sort of my fault he hates you so much. I just want to protect you from it, but I haven’t done a very good job. It’s really embarrassing for me to admit this.” Abby sighed as she stood in front of you, her big frame standing between your spread legs, a snug spot for her to fit into.

You tilted your head at her curiously. “Just tell me. I’m sure it’s not as bad as you think.”

“It is.”

“Abby?” You questioned her, but still chose to be tight lipped. “If you want to fix this, I need you to talk.” The cocky attitude had evaporated from earlier, leaving you with one you usually got. The girl who was too afraid to kiss you on the first night. Arguably, you like this version of her a little more.

“I, um, so, I sort of kind of used to think of you when Owen and I used to have sex.”

“Um, okay? Is there a reason I need to know this?”

“Well, the reason I think he hates you so much, on top of me kind of being all over you all the time is….”

“Abby, if you don’t tell me right now, I swear to god.”

“Okay, okay.” Abby took a deep breath before she let the confession tumble from her lips. “Whenever we would, you know, I would always kind of sort of, call out your name instead of his.”  Abby mumbled, closing her eyes in shame.

“Baby….you’re kidding.” An itch to laugh bubbles, but you’re able to muffle your giggle enough.

“Would you, you know, not laugh at me.” Abby sighs. “See! This is why I didn’t want to tell you. It’s embarrassing.”

“I’m not laughing at you, it’s him. He couldn’t even fuck you good enough to get your poor, gay brain off of me, huh?” Abby let you tease her, your smile, an equal trade for her pride. Her hands glide along your thighs, igniting a fire beneath your skin.

Abby loses the hint of teasing when she responds, “Yes, I couldn’t stop thinking about you. I never stop.” Abby took a step forward, your pelvis pressed and to her, legs latched around her toned waist.

“I’m supposed to be mad at you.” She leaned forward, peppering kisses along your neck, you're gripping onto the chain around her neck, your initial engraved on the pendant. Boy, does she make you want to forget about everything as her teeth latch lightly, giving you a playful bite before her tongue soothes over the ache.

“Abs, fuck um don’t you think we should talk first?” Your strong resolve from earlier fading into the tranquility of Abby’s comforting arms.

“Okay. Then, talk babygirl.” She continues to kiss your neck as your neck as you struggle to find your footing.

“I-I just, um, I need…” Subconsciously, your fingers dip into her blonde waves, tugging at the root slightly.

“C’mon, use your words. You did a pretty good job earlier you know, felt a little humiliated back there.”

“Really?”

“What?”

“Abby…It was Dina. I never would have brought Leah up like that. Truthfully? I wasn’t going to bring her up at all.” Abby frowned, lips pouting, clearly frustrated.

She was red, tense, and the jealousy in her gray hues burned bright. Carefully, her hands gripping on your thighs, giving them a light squeeze.

“I didn’t like hearing about another girl kissing you. Someone else who isn’t me…it pisses me off.” Abby sighed, look down at your sweats. “Not hearing it from you just made it so much worse for me.”

With the admission, you tugged her closer to you, resting your hands on her defined traps, caressing the nape of your neck.

“You’re right. I’m sorry. I should have told you and I didn’t.” You tugged her closer, if it was even possible, letting the safety of her arms comfort you. “Dina just wants me to admit to you how I feel. It’s why she said it.”

Abby perked up at your confession, neatly placed in the palm of her hand.

“How do you feel?” She asked, cresting some distance between the two of you, pulling you out of the crook in her neck, a new home you’d taken residence.

“One condition…”

“Yeah?” You grasp her chin, tilting her head up slightly, grip tight.

“Next time we’re fighting, and I ask you to say something, you better speak next time or so help me god…” You trailed off but Abby couldn’t take it anymore. She had been dying to kiss you all night, since you’d done the service of your sweet, skilled mouth eating her out like you were personally starved.

“It’s cute, baby.”

“I was talking. Abby?” She silent as you wait for Abby to respond but she just cocks her head to the side, a smirk plastered on her face.

She leans in, whispering in your ear, “You can keep talking. Just let me return the favor from earlier.”

Abby doesn’t give you much time to respond before she’s removing your legs from around her waist, her pretty honey-blonde hair is thrown into a low bun in preparation as she offers her hand, and you take it as she helps you off the countertop.

Abby catches you, strong arm around your waist pulling your body against her.

“How does that sound? You, bossing me around and giving you a reminder of just why you put up with my bullshit. Yeah?” You come down to your natural height, Abby’s presence even more damning. It didn’t matter if she was taller or just a bit shorter than whoever she was around, the confidence she exhibited was fucking damning.

She’s so broad, big, and intimidating and she’s willing to sink to her knees for you. Abby licks her chapped lips until they become shiny and pink.

Fuck, she has to be doing it on purpose at this point.

You nod but she makes no movement to take this somewhere.

“First, tell me how you feel.” Abby rubs her thumb over your soft skin, caressing your cheek with a delicate touch. “C’mon, I mean I might know but I just need to hear it.”

“I just, I’ve been wanting for us to make it exclusive…just me and you. Tired of hiding, in front of our friends especially. I want you to be my girlfriend.” You admit sheepishly, eyes trained on the floor until Abby tilts your head vertically by gripping your chin.

“Baby, it’s all I want you. Jus’ you and I against the world. Yeah?” Abby’s lips mesh with yours, the fit is perfect as if your earlier problems hadn’t melted away.

They didn’t. They were still there, but you could work through them together. You and your girlfriend, against the world, together.

reblogs are appreciated! ♡

[neil-gaiman]

Hi Neil,

How the fuck do I start my story? I have an idea, a characters, I know their relationships and politics of the world and traditions and why certain races don't like each other, I have it all, the world is so real I could live in it. And I don't know how to start telling this story because there's so much threads and so many things to say and so complicated world to present to the reader. I've been reading all this advice about not infodumping a reader and not telling everything at once, how to start a story, how to stop procrastinating... But I still don't know and it's getting me more and more frustrated to the point of crying, because it's such a great story with cool characters and plot twist and complications and it would awesome to tell it but I'm afraid I'll screw it up...I don't know what to do really so I thought I would ask you because I adore you as a writer and a person.

Thanks,

Really Desperate Girl From Across The World

(btw Coraline made my childhood I literally dyed my hair really similar colour to hers)

Start telling the story of the person you, as an author and as a person, care about. Stories are like circles: you can start them anywhere. When you've finished you might write a whole new beginning. But start where you care the most about who you care the most, and have the, want things, and see where it takes you.

[interstellar-productions]

Thinking so many thoughts honestly, about Aaron currently (spiritually not situationally I relate to him, it’s complicated). Aaron so specifically speaks to me because of how (at least with the crumbs we’re fed by canon) he internalizes and deals with his trauma. He WANTS to be normal. In fact he tries so hard to be normal (as society interprets normality) that he actively distances himself and represses any part of him that may lead people to viewing him as anything other then normal.

In my mind this was probably done intentionally, it creates a contrast between him and Andrew (and is probably why Neil is able to tell the twins apart pretty much from the get go). Andrew doesn’t speak about his trauma but he also doesn’t necessarily minimize it. Andrew makes himself big, body language wise he’s very loud. “Look at me, at what they did to me. Look at who I became”. Andrew is a warning sign, he lets his bleeding wounds show and mixes them with ragged bone and snarling teeth. Andrew is telling people without telling people what will happen if someone crosses him.

In contrast Aaron hides, his pain and his scares. Aaron turns everything inwards, shoving it all into closets and under beds. If he blends in then maybe no one will notice him enough to pick him out. Hiding in plane sight. Aaron works so hard to be normal and is canonically known as the least interesting and most normal fox, despite having a murder charge and being a recovered addict. He is the normal fox. People overlook him, glance right over him, his teammates, peers, everyone. Perfect grades, good at his sports, girl next door girlfriend. Aaron is so painfully NORMAL.

It speaks so deeply because it’s so obvious to me that its a coping mechanism and not actually because that’s how he really is. If he was just painfully normal we wouldn’t get some of his more violent or assholeish out burst and he probably wouldn’t have that grudge against Bee. His grudge against Bee is actually what sparked this whole thing for me. He hates Bee, he says that he’s never actually spoken a word to her and even when he starts sessions with Andrew he’s really just speaking to Andrew while Bee is in the room rather then directly speaking to Bee. My little psych major mind (mixed with my personal feelings but HUSH) is just screaming that this whole “I’m normal look right through me please I’m normal”. It’s how he COPES. This guy grew up at least a little bit inside a church (because Luther) and had to hide both bruises and addiction and whatever else was going on inside that house. Statistically speaking there’s two major ways you internalize trauma like that. And I love Aaron and Andrew because their those two ways basically. Aaron is trying so hard to be so Normal that he becomes basically invisible. Blending into the background.

He probably has everyone convinced that he’s got it all in the bag, all his shit? It’s in a sock, don’t even worry about it. He’s got the grades, the girlfriend and he plays a sport. Bro is literally sitting pretty to be so uninteresting that he gets nothing but a cursory glance, and it’s totally part of his scheme. No one’s going to think to ask questions he doesn’t want them too. Not about his past and not about what’s going on in his life. “Oh that’s Aaron yeah I’ve got advanced chem with him, yeah good guy. I think he plays exy.” Aaron doesn’t want people to ask questions, because he knows he’s towing the line. Does he have it all together? Or is he desperately trying to keep all his shit in the boxes he’s stuffed it in? Who knows. Aaron probably doesn’t even know.

Aaron gives me “fake it til you make it” vibes that it actually hurts my soul. This man wants to be normal so bad that he’s doing everything he can to not have to address what’s actually wrong, because acknowledging something’s wrong means acknowledging that he is in fact NOT normal. And he wants to be normal because being normal is how you survive. (How he got Tilda to not beat him for dragging the wrong sort of attention to her)

My psych major mind is absolutely consumed by AFTG because to me they represent all the different ways that trauma can manifest in people. Basically all of the foxes (even and Renee Wymack) are the violent kind. Their teeth and warning signs, don’t get too close, don’t step on my toes. But they all show it so differently. Renee for example is the healed sort of violent, she’s faced the majority of her demons and won, she knows she’ll be able to handle you if you step out of line (see her ruining the nest). Nicky is the loud kind. He’s not the break bone sort of violent but he is the make you uncomfortable kind. So much of Nicky’s early character (Foxhole court) is him giving off borderline predatory vibes. His jokes, his mannerisms, the whole Edens trip. It’s his version of violent. He makes you uncomfortable so he knows whose safe and who isn’t.

Then you have aaron and his whole character is a ticking time bomb. Aaron isn’t normal because he’s healed, he’s normal because its the only way he knows to survive. That’s why he doesn’t like Bee. Bee is a psychologist, her whole job is to know their problems and fix them and the fact he even has to go sit in a room with her is a threat to his overall performance of normality. Because normal people don’t NEED therapy.

Screams into the void, I’m so normal about him.

Also all of this is just my personal little ramblings about a purely fictional character that reminds me of myself as it relates to the topic of interest I’m currently studying. If you don’t agree with me that’s totally fine, if you have different preconceptions about him thats totally ok too. This is just my little brain rot corner of the internet and I’m just trying to have fun.

To the 3 people that wanted to see my deranged psych rambles i hope this reaches you, this is all for you!

[nitttstdsdtoastd]

i’m sorry but jatherine just irritates me so much, not because of the fact that they got together but because they just set up katherine as the quirky eccentric love interest

katherine is almost like a manic pixie dream girl-esque character since she’s a plot device for the newsies despite having a complicated relationship with her father which should make her a complex character like jack but i think it’s glossed over a bit too much and maybe if they added something more to her backstory it would’ve made her more human

jack on the other hand is the classic macho dude who also has issues like santa fe and wanting to have a better life than selling papers each day and earning next to nothing

then katherine steps in and is like the exception and is used for jack’s character development along with the musicals development and happily ever after yay

trust me, i love both of them with all my heart they’re like my distant great aunt and uncle who i found on the ancestry dna thing but the whole thing is irritating since disney could’ve made katherine so much more

and they got all the tension between jack and davey in the 1992 film then inserted it to jatherine which is worse

if they did actually make an effort to make katherine more katherine then maybe she would’ve been like neil perry from dead poets society (apologies for the reference) because they have the same personality but are so distant from how detailed their characters are

this is totally not related to anything but katherine and neil have the same mbti (enfj) which i guess explains the daddy issues with both of them

[nitw]

the whole sigcorp franchise is about grief -- life, death, grief, and moving on. but i really appreciate how each game handles the topic differently and paints a new perspective of it via the characters in focus:

in to the moon, johnny struggles to cope with a loss and a sense of guilt he can't rationalize. the game asks if it's fair for johnny to be happy if his happiness outweighs the real memories and consequences of the life he lived... but ultimately, it's not up for the doctors (or us) to decide -- johnny's love for river was real, and that mattered to him more than anything else deep down. nothing could change that fact, and he subconsciously held onto it, even as the fabric of reality broke down around him.

in finding paradise, colin struggles to accept his own life coming to an end despite having little to no regrets, and uses fantasy as an excuse to justify his dissatisfaction. the game asks if there's any clear difference between "real" memories and "the fiction we tell ourselves"... but when so much of our lives is fueled by a natural fear of death and loneliness, the distinction barely matters. every moment can be meaningful if you just want it to be, even if it's in retrospect. even the little things.

in impostor factory, lynri struggles with seeing worth in her own life, yet simultaneously does everything she can to leave a lasting mark on the world -- while quincy struggles to be her anchor, as he becomes increasingly aware that they can't live a normal life together. the game asks if lynri has the right to be selfish and pursue her goals at the expense of any chance at happiness with quincy, or if quincy has the right to be selfish and keep lynri grounded if that just seals her fate... but there's no correct answer to that. life is too complicated for there to be a singular, perfect thread of choices. sometimes pain is unavoidable, so all you can do is make the most of what you have while it still lasts.

and every time, these dilemmas are directly mirrored through eva and neil. it always circles back to the hypocritical nature of what sigcorp does, to eva putting on a strong face and trying to see these issues in black and white to protect herself, to neil genuinely believing in the value of his work but failing to take his own advice.

i think the beach episode was the perfect conclusion to all of this. we don't know how eva's gonna carry on now... but we have to imagine that she is. we have to hold onto that hope, for her sake and for our own. we, the audience, have to accept this as the end of the series, and believe that the moment we press the escape key, eva accepts it as well.

these fictional people's lives meant something to us. and if there was hope for them, there's hope for us, too.

[justsomeopinions]

Some thoughts/comments on the Sunshine Court bc I'm going INSANE

- I have no idea how Nora manages to create characters I care so deeply about

- This bisexual French bitch is MY CHILD

- Despite the drama the gay players keep making me cry of laughter

- Like Neil telling the FBI that Jean got beaten for being a French idiot

- Is he autistic??? I mean when he finds out that Jeremy is gay he puts it in a very neurodivergent way (and Jeremy's "more exclusively than you" bc this guy is NOT subtle)

- Cat and Laila you have MY ENTIRE HEART

- "Jean knew better than looking at a man for too long"????? Kevin Day you better watch your back

- The frustration of people slut shaming him when he was literally SAd (good for him for saying he's better than the whole lineup without fucking anyone)

- Kevin and Jean being so complicated, but caring about each other above everything despite everything

- Jeremy absolutely losing his cool when he heard Jean say his name with the accent

- Jean thinking Kevin is sabotaging him for making him live with hot people is the funniest thing I've ever read

- I love Jean not hiding his attraction towards Jeremy

- Jeremy asking him to tell him if he ever feels unsafe (bc he knows about his history and is worried that Jean will be uncomfortable if he's attracted to him)

- And Jean only saying he doesn't feel safe when Jeremy was trying to get him to tell the truth about his injuries, IT KILLED ME

- And "letting go of Jean was the hardest thing Jeremy had ever done"

- Kevin was so much more sane from Jean's perspective lol

- Also Jean asking if Cody was safe

- When he looked at Jeremy after going to the salon and just said "blonde"

- Lucas is a fucking idiot, like not even bad, he's just stupid, I mean wtfdym BAD BREAKUP????

- "Drake was not a biter, then" MY MOUTH HAS NEVER DROPPED AS MUCH AS IN THIS SCENE

- And Neil immediately getting rid of the r*pist

- Glad to see Neil is still an absolute menace

- Anyway I can't wait for the second book, AO3 will be my bestie in the meantime

[heliads]

LISA REQUESTS ARE OPEN AHHHH!!! I have been waiting for this moment!!

Could I pretty please request Steven Meeks (my beloved) with a female reader? The reader is a student at Welton who’s disguised herself and pretended to be a boy at her family’s request since Welton doesn’t accept girls but she was smart enough to get in and her family wanted her to have a good education. Since she’s friends with Neil and Charlie, she gets invited to be a part of the Dead Poets Society, and because of that she gets to know Meeks and gets closer to him, but she feels terrible about lying to him. So one night at a Dead Poets meeting, she stands up and admits to being a girl, and though she’s terrified about them reacting badly the other Dead Poets promise not to tell anyone because she’s their friend (except for Cameron, obvs, but the others kind of bully him into promising). And then afterwards she has a one-on-one conversation with Meeks where she tells him how she feels and he admits he feels the same (and maybe he even felt the same about her when he thought she was a boy but was scared to say anything) and it’s just really cute?

Of course, if you don’t wanna write this that’s totally cool!! Thanks in advance, and I hope you’re doing well, beloved!! <3

'the secrets that we keep' - steven meeks

masterlist

a/n: in the fic, b/n stands for boy name. since reader is pretending to be a boy, you need a boy name for Vibes and Plot

Although dutifully called on by schoolboys to change the age-old protocol, Welton Academy has never admitted a girl to their brilliant ranks. For reasons of religious purity, single-minded pursuit of study, and otherwise knowing how easily distracted teenage boys are by a pretty face, the doors of this bright school have shut in the face of willing and able female candidates for years. It is a long-standing rule, as familiar as not running in the halls or sneaking off campus to engage in underage drinking. Similarly, this rule is about to be ignored by yet another student, and this one is you.

Headmaster Nolan firmly intended to maintain this rule. Your parents wanted a good education for their daughter. Never before has such a violent clash rocked the hills of Vermont. Not in a while, at least. It took many, many heated arguments and a good deal of defensive letters, plus a promise to secure an internship at a nearby hospital for the son of Headmaster Nolan’s good friend, a certain Mr. Perry. Also, you would have to promise to keep the whole girl thing under wraps.

This may seem impossible, but they were the terms of your acceptance to the prestigious school, and you were willing to live by them. No doubt Headmaster Nolan would be watching you like a hawk for even the smallest of slip ups, but you don’t intend to give him even a second of victory over you. You’ll play according to his rules, and you’ll ace your classes at the same time. Wouldn’t it be funny if one of Welton’s brightest pupils was a girl?

These were the sorts of thoughts that helped tide you over the summer until your first day of school. When that inevitable day came around, though, you couldn’t help but feel paranoia wrap around your stomach with cold, digging claws. This whole idea seemed impossible. How could you possibly pretend to be a boy the whole time you were at the school? You could cut your hair short and deepen your voice, stomp around the halls and act as if you were just like the rest, but what a thing to do. Still, whenever you think about quitting, you think about the triumphant expression on the headmaster’s face, knowing he’d assigned you the one task he thought impossible. If you were going to do anything, you could at least prove him wrong.

With this mindset in place, you move your belongings into Welton. You’ve been given a single room, as the headmaster decided that having a roommate would only complicate things. Smart move there; it might be difficult to hide your evident lack of masculinity from someone who’d be with you around the clock.

There are plenty of singles in the Welton dorms, the students placed inside for various reasons. It’s nothing uncommon. Still, it does draw a fair amount of attention during move-in, as students pretend not to openly stare at you while you’re unpacking your luggage to see what kind of kid could manage to pull the lucky slot of a dorm room all to themselves.

One group of boys in particular seems keen on making your acquaintance, although their attention, unlike that of many of the other students coincidentally passing by your door, seems pleasant instead of demanding. Their apparent leader, Neil Perry, drops by to say hello. Always glad to see a new face, or so he’d claimed.

Neil was the first, quickly followed by his new roommate, Todd Anderson, plus Neil’s best friend, Charlie Dalton. An additional entourage of Gerard Pitts and Steven Meeks joined them soon enough, and a redheaded Richard Cameron followed up the tour, although judging by the not-so-subtle hostility in everyone’s glances his way, Cameron would be the least favored of the whole group.

At first, you’re terrified to have that much attention directed your way. Your goal was to skate under the radar, only making friends when you absolutely had to so you could both avoid detection and focus on your studies. Although it might make for a lonelier experience, staying undercover was far more important. Your parents were sacrificing a lot to keep you in Welton’s halls. You couldn’t afford to disappoint them by getting caught all because you started feeling alone.

However, none of the boys seem to notice that you’re not what you claim. They take up your explanation of having recently moved there readily enough, as it would explain why they’d never heard of your boy name before. You picked that one out earlier that month as if it were a new notebook or yet another school supply: B/N. It’ll be tricky to remember to respond to that name, but no trickier than any other part of this little scheme.

Besides, once classes start to kick up, all of you have far bigger fish to fry than unraveling the precise identities of the latest addition to the friend group. Soon, questions about where you grew up and how you managed to get yourself cast down to Hellton are replaced with frantic trig study sessions and grievous Latin complaints.

If there’s one class none of you seem to mind at all, though, it would be English. The other boys heard rumors that you’d be getting a new teacher, but none of them knew a thing about this Mr. Keating. The general consensus is that English this term would be no different from English at any other time of year; plenty of assigned readings, loads of essays required to be written under short durations, and all of the other joys that a required literature course often brings.

This, however, was not to be the case. From the moment Mr. Keating opened his mouth, all of you knew you’d be in for a treat. Some of you were less hesitant to embrace Mr. Keating into your hearts, namely Cameron, but the rest of you have been quick to appreciate what you have. For once, you’re having fun in class. Who could have an issue with that?

And, when Neil swoops by your seat and asks you if you’d be willing to engage in the first meeting of the new Dead Poets Society out in the woods that evening, you know that the impact your new teacher has on his students is far more drastic than even you’d envisioned. You agree readily, and the rest of your friends look pleased with themselves for managing to boost their numbers with such an agreeable fellow.

If there was one boy who looked the happiest that you’d be joining them after hours, you’d have to say that it was Steven Meeks. Although he may not be the loudest of the set, Steven has quickly been rising through the ranks in your mind. He’s been working on this radio set almost nonstop with Pitts, but every time Steven accomplishes even the smallest of achievements, he immediately has to put everything aside to rush to your side and tell you all about it. It’s wonderful to watch him, how his eyes light up as he talks, hands waving wildly in the air while he talks about receiving signals and communication potential.

You should know better than to get attached. There is a significant chance that your whole ruse will be revealed sooner rather than later, and you’ll be unceremoniously removed from Welton, never to speak to any of these boys again. Still, watching Steven’s ginger curls fall messily about his bright eyes, tracing the path of his hand absentmindedly combing back the strands so he can focus on repeating the information he’s just learned, you can’t help but wonder if maybe this one connection wouldn’t be so bad. Your friends wouldn’t turn you in.

Besides, cutting yourself off from Steven sort of feels like chopping off a limb. When the lot of you sneak out from the dorms that evening, running and howling through the forest, Steven stays by your side the entire time. Dry leaves crunch underfoot, and the moon hangs low and bright overhead. Your heart beats erratically from its cage in your ribs, and you wonder how you could ever have been afraid of something like this. This is living, you decide. You and Steven in the endless night, laughing like crazy, more free than you’ve ever been even as you live your greatest lie.

The first meeting of the Dead Poets Society is a wild success. You take turns reading off various stanzas and prose, alternating between oohing appreciatively at a particularly good turn of phrase and teasing each other wholeheartedly whenever someone provides the opportunity. Despite the jokes, the atmosphere in the cave is reverential, almost. Everyone believes in the strange spirit that’s bewitched all of you, the knowledge that what you’re doing here will make you gods of men. It’s entrancing and awe-inspiring and the first thing you ask the next morning is when all of you will be meeting up to do it again.

Charlie breaks into raucous laughter. “See, that’s the spirit we want! Even B/N here wants more. We’re high off poetry, imagine that.”

You scowl at him, even as the others laugh along. “What do you mean, even B/N? What the hell is that supposed to mean?”

Charlie rolls his eyes. “Nothing, honestly. Just that you didn’t seem all that inclined to hang out with us at the start of the semester, that’s all. We got worried you didn’t like us so much, but obviously that’s not so anymore.”

You arch a brow incredulously. “Of course I like you guys! Would I put up with Neil’s monologues if I didn’t? Or Cameron’s bullshit? Or all of you howling in a cave past midnight so we can pay homage to dead poets worldwide?”

Steven snorts, more at the disbelieving look on Cameron’s face than anything else. “Now that’s a vote of sympathy if you’ll ever get one. I, for one, never doubted you.”

Charlie scoffs loudly. “Of course you didn’t, Steven. Anyone who listens to you ramble on about the benefits of the modern radio as much as B/N would have to be your best friend. Honestly, I’m surprised that didn’t scare him off more than anything else.”

Steven’s face falls, and to cover up for it, you say quickly, “I don’t mind the radio talk. Honest. It’s interesting.”

“Sure it is,” Charlie says a little too loudly, “So’s the company. Anyway, B/N’s right. How about tomorrow night for another meeting? Bring your best limericks, I want to be entertained.”

Neil breaks into choking laughter. “Absolutely, your highness. All your jesters will do their best to make you crack a smile.”

“It’s an honor and a privilege, you know that,” Charlie defends himself.

As you watch the friend group devolve into cackling laughter, you can’t help but meet Steven’s eyes across the table. Instead of getting caught up in the mock argument between Charlie and Neil, he hasn’t lost focus on you for one instant. When he catches you looking, he smiles quietly and mouths, thank you. You smile back.

The meetings of the illustrious Dead Poets Society carry on for weeks. As they go, you realize that you’ve never had friends like these, and it feels as if you never will. They’re the best, brightest bunch of boys in the world. You trust them more than you do anyone else. Those sacred spaces in the caves off campus, baptized by moonlight and wild imagination, make you feel more like you than anything else.

Except, of course, for one secret that still hangs in your way.

You haven’t told anyone that you’re a girl. Your silence carries with it the weight of your studies at Welton. If you want to stay, no one can know. It’s as easy as that. Still, in the quiet, happy moments when the wild laughter fades and you’re left looking around at the faces of the boys who have become your brothers, you can’t help but wonder if maybe you could tell them after all. Maybe it wouldn’t be so bad if they knew. Maybe they would even help you maintain your cover.

It would be nice to have a little bit of this burden off of your shoulders, after all. It feels as if every waking moment not spent studying is chained to making this lie work. Every time someone talks to you, you’re certain they’ve figured you out. This sort of paranoia is driving you mad, and being able to finally share the secret feels like a relief akin to offering a drink of water to a man dying of thirst.

The opportunity to share comes up sooner than you expected. At one of the Dead Poets Society’s meetings, Neil turns to you with a slight frown when they’re asking around for someone else to share a piece.

“B/N, do you want to go next? You’ve been quiet all meeting, I don’t want to speak over you accidentally.”

You shake your head a little too quickly. “No, no, I’m good. Just thinking.”

This, more than anything, attracts attention. Charlie grins, leaning over to you dramatically. “Thinking about what? World domination?”

You snort. “I’ll leave those plans to you, thanks.”

“Come on, B/N, talk to us,” Neil urges. “We’re friends, aren’t we?”

Your breath hitches in your throat. This is it, your chance. They’re all here, all willing to hear you out. If not now, then when?

“Alright,” you begin, “There is something I do need to say. I’ve, uh, been keeping a secret from you. A pretty big one.”

Charlie arches a brow. “A big secret? Let me guess, you’re secretly a teacher in disguise sent to keep an eye on us.”

This would usually elicit a laugh from you, but tonight you’re so worried about getting this right that you can’t even muster up a weak chuckle. “Not quite, Charlie. I’m–” The words dry up in your throat. How do you say this, after all this time?

The other boys stare at you expectantly. You’ve started now, you can’t back out anymore. “I’m a girl,” you say in a rush. “My parents wanted me to get a good education so they sent me to Welton. The headmaster really didn’t want to let me in, but he only allowed me to enroll if no one knew I was a girl. He said he didn’t want to mess with his pristine record of only letting boys inside or something. It’ll still show up on my college record that I went here, and he wouldn’t have to handle the difficulty of more girl students. I’ve been pretending to be a boy this whole time, but I’m not. I’m a girl.”

The words hang in the air. For once, the cave is absolutely silent. You can hear quiet breathing all around you, nothing more. Your eyes are fixed on the stone in front of you, resolutely refusing to meet anyone’s gaze. You’re certain that if you were to look up, you’d only see disgust or disbelief on their faces. This was their sacred space, and you’ve broken it to bits with your secret. You never should have told them. You never should have thought you could pull this off in the first place.

Just when you’re debating the merits of running for the dorms to get out of here, Charlie starts clapping loudly. You jerk up, expecting him to be mocking you, but instead his expression is celebratory. “Let’s go!” He says. “I’ve been waiting for a girl to go here forever. Of course Headmaster Nolan would be an asshole about it. Wow. Can you get more of your friends to enroll, too?”

You stare at him incredulously. “You’re not mad?”

Neil breaks in. “Why on earth would we be mad? That’s totally cool. You’re like a spy or something. We should write a poem about it. Maybe even a play.”

You can’t help but laugh at that. “It would be an honor to be your muse, Neil. But seriously, you’re all fine with it?”

“Of course we are,” Charlie assures you. “Jesus, have you really been worried about that? What were we going to do, kick you out? Your secret’s safe with us. We’re not rats.”

“We’re not?” Cameron chooses this moment to pipe up.

Immediately, he’s hit with death glares from every other boy in the cave. “No, we’re not,” Neil says firmly. “And if anyone even hints to an administrator or other student that B/N’s not a boy, they’ll get their ass kicked. Is that understood?”

Cameron nods, not meeting your eyes. Still, you have a feeling he’ll keep your secret.

Pitts raises a hand. “If you’re not a boy, is B/N your real name?”

“No,” you answer him. “I’m actually Y/N.”

“Sick name,” Charlie comments.

You swat him on the shoulder. “Shut up, Charlie.”

“Nuwanda,” he says in a dramatically injured tone.

Just like that, the tension is diffused. Once you’ve been assured a few more times that no one will say a word about your inherent lack of boyhood, the agenda turns back to poetry more. It’s like nothing even happened, except everything did. Your friends still support you. You feel more free than you could have even imagined, knowing that everything worked out.

On the way back to the dorms, you hang back a little, wanting to take in the events of the past hour by yourself. Steven notices and joins you.

“So,” he says quietly, “Y/N.”

“Y/N,” you affirm. “It’s not too weird, is it?”

“Trust me, it’s not,” Steven says. “This actually answers a lot of questions for me.”

You cock your head to the side. “What do you mean?”

It’s hard to tell in the darkness of night, but you swear his cheeks have started to heat up. “Well, I realized– or, I thought, really, I was sort of still deciding that for myself, I mean– Well, Y/N, I think I love you.”

Silence in the forest. “You love me?” You ask cautiously.

Steven scratches his head. “Yeah, I do. Hadn’t really admitted it to myself yet because I thought you were a boy. There was a lot of reflection going on. This makes a lot more sense, though.”

You can’t help it, but break into laughter. “I’m fascinated by that. What have the past few weeks been like for you?”

“Very confusing,” he answers. “Still a lot of questions left unanswered.”

“Like what?” You ask.

“Like if you like me,” he says quietly.

You smile again. “Well, I thought that one was obvious. I love you too.”

Steven stops walking completely. “Really?”

“Really,” you laugh. “Now come on, we have to get back to our dorms before an administrator notices we’re gone.”

Steven sighs dramatically. “The administrators are the last thing I want to talk about right now.”

You think your smile might never fade. “Me too. We’ve got plenty of time for that, though.”

Plenty of time indeed. The rest of this term, then on and on until both you and Steven can sum up perfectly what it feels like to be absolutely happy. For now, though, you think you’ll let the sensation of him taking your hand for the first time to lead you back through the forest do the explaining for you.

requested by @faerieroyal, i hope you enjoy!

dead poets society tag list: empty for now!

all tags list: @wordsarelife

[edenspoem]

copy that, romeo

— ellie williams was supposed to be your supervisor, not your object of infatuation ~ ♡

⋆❝ this is cordero tower, calling in.❞⋆

CHAPTER ONE: SUMMERTIME INTERLUDE . NEXT CHAPTER > ♡. pair; firewatcher!ellie x recruit!reader

♡. summary; it's 1995, and the angel crater national park welcomes you; a retrograde lookout all to yourself, a space nerd for a supervisor, and a whole summertime job spent in hues of sepia and juniper, waiting for the first sign of smoke. ninety–three days. you don't know her face, you share no breath— but by walkie–talkie, you know her voice.

♡. a/n; READ THESE; 1 and 2, HELP HERE, BOYCOTT. CLICK HERE. DO NOT BUY THE REMASTER, TLOU2, TLOU1, OR ANY GAME FROM NAUGHTY DOG! neil druckmann (the creator) is a zionist. PLEASE READ THIS. AND REBLOG THIS. ALSO THIS.

♡. content; EVENTUAL SMUT, narrator present, silly fourth wall breaking, a dash of comedy, slowburn (somewhat), living alone, long–distance pining, reader/characters are similar ages(mid–late 20s), depression, heavy metaphor usage, complicated poetry styles, mentions of organs, mentions of weaponry, metaphorical death, grim humor, drinking alcohol, drunk!ellie, drunken flirting (vaguely and bluntly), ellie jumpscare, uh-oh sassy masc apocalypse, she's corny and cheesy too (a dork), awkwardness, humiliation, lighthearted bickering, nicknames used. [lmk if i missed anything] . SERIES PLAYLIST .

WC; 6.1k+ ✮ thank you @trackinglessons for your sexy brain and beautiful ideas + custom art ✮ masterlist ✮ series masterlist ✮ ellie ref sheet

Summertime is the interlude between misery and Mondays.

  May was a rough patch for you. A coagulated chapter within the spring world, a shunned ponder, red jello in the gradience of passage. Tempus, time. Early months hence were just as pessimizing, doubt is an arid reservoir in you. But, as a maypole sits a svelte giant in the sweet Beltane soil, braving an invisible smile whilst little ones— little laughters, spun prances and wraps of dainty satin to an ensnare on its long body, it weeped for its delicate capture. You; flesh coarse like timber, relate to the log standing, ensnared. Sunk in that gelatinous texture, unmoving as pressures collided with the surface outward, ripples everywhere yet incapable of sprinkling through you. Something would have to delve itself to drag you out.

  Chapters; cusp of autumn to April, every single month, wound ‘round you. They each had separating colors, and spared turns to soundly fold your limbs and bulge your skin in ribbons. It snipped your circulation, shriveled the ripe breath in your skull and traded it for a pressure. A throb. Weight upon the cranium, you felt the narrowing cradle inside wilt from thought, drain from consciousness, and soften your stiff eyes locked on drywall. Hour to hour.

  But those weren't the only things taunting you with a dance— expectations danced faster. Expectators, paired minds heaping expectations; yourself and the selves blackjacking their wants expressed as worries onto you. Stressful creatures, they are. Bosses, co–workers, energy vampires disguised as lover boys prowling about your workspace, general creatures of the retail world. God, they're like ravenous wolves snarling hunger through their teeth, slobber moonlight–bright of that dire carnality for variety meats. Depression just took the first serving before they could.

  Even the domesticated places are a wilderness untamed.

  Stress drained you of life. It softened your desire to even try. Gods are dulling, blamed you, on another dull morning where the trickling sound of coffee pouring drilled irk into your ears, rather than simply a trickle. Caffeine, a roast so void–black was brewed to un–drain you. Yet, it fuckin didn't.

  Impugning was your everything, until it could no longer purify; Elaine. Emptiness. Hmm, you gave this state of vacuum–headed hollowness a name, keenly because it deserved so by its dismantling of your autonomy. You don't want it. It's not you. It's Elaine. A some–angel fallen out of grace, weary of its wander upon a washed up cove, beige toned and swept shivering–cold. Interested by the warmth your sundry organs pushed into its light silhouette. 

  And perhaps, if the bird was never freed from its heavenly cage, it would be powerless to pester you, to poke the meat inside with the pointy end of plumage.

  Elaine was an organized assault on your wellbeing, moreso against the pulpy, pinkish-gray blob sitting ugly above your throat. Believe it, or assume it. A paralysis, moving shoulders from bed sheets proved farcical, running bristles over your teeth twice a day rhymes with nonsense, and midnight ink born to swirl and curtsy to convey thoughts gone rancid, goes unused atop the white flutter between your journal hardcovers. You have a morbid case of the seasonal blues, except this time, the season is beyond its blue hues. Spring, a fuckin’ kaleidoscope embellished. Blotches of big fuck you greens so vibrant you'd long to die from your tears, and an abstract spit of smell me reds thorny as your stomach brought to a scream for something. Anything.

It was a slow, banal descent into the jello.

  January, floating atop the sweet delicacy, atop your bed.

  February, the solidity gave out beneath you, goo subtly etching around your ankles, calves, elbows, unforgivingly cold when it first hit. When in reality, the bed was heating from your lay.

  March, marrow goes heavy, your limbs at this time could not lift, your efforts waned, and satiating the rumble in you with sustenance was forgotten, as that rumble got so, so.. quiet. 

  April, the jello had stuffed your nose, your sockets, and lullabied your ligaments. You let it happen.

May.

  You let yourself sink. Let yourself decompose and go mush in the head. Like a zombie.

  The descent doesn't taste of sweet delight, but it also fails to churn your lips with a heavy saccharinity. Neutral, your hopeful side did say. Nothing, rationality slapped past your lips.

Five months, either a misery, or a Monday.

  Yes Eve, a bite out of the Apocrypha will indeed fill this human abysm in me. Forbidden knowledge is my craving. Contraband of truth, bite to bite, I envy that I could not cope with its coating of my empty gut earlier.

  Innocence is so dull. You are depressed, not a fucking saint for staying indoors, starving your rage.

  But on came a crisp bouquet of biker–boy newspapers; ‘Hiring’, and a few scans further; ‘Do you harness a great love for the evergreen?’

  A honed section in Missoula's local print— jobs. A publisher boldens and compresses enthusiasm sporadically; writing–on–the–wall hollers speckle themselves meticulously on the newsprint that strike a sense of obligation into the susceptible and soft–of–heart chunk of the population. A pert voice read with persuasion between your ears, gritty in tone and stereotypical of a middle aged ranger, vocals fried by cigarettes but as booming as a cannon.

“Do you care for the animals inhabiting our national sanctuaries?”

  Abutting small paragraphs, the sagging belly of a black bear, tender caramel snout and snoopy–faced, fitted on its head a mustard yellow campaign hat labeled, ‘Smokey’. Its burly, blundering frame on all fours stood out over a comic–style vista of the Montana rockies, paws obscured by blocks of thickset text reading ‘Only you’.

  Huh, a realistic depiction of Smokey Bear— over a not–so–realistic background, avant–garde. 

  Tree greens sprawly that didn't shout ‘Fuck you’ on your poor, sunken eyes searing for sleep and a twilight darkness. Sagey lichens that didn't draw out the spasms above your own bones, calling your regard to bring pin–sized problems and blemishes sprawling your own flesh out of the bliss of ignorance. Brunette muds with only a fleck of sun, a slice of earth dull, humble and unprocessed enough from benevolence to leave you unconsumed, unsunken. A mere slop and pudge in the future and wake of your walk. Nothing obnoxiously grand, nothing sanctimonious. Nature is by birth— righteous, regardless.

  “Before we can be proud of our nation, our nation must be proud of us!”

  The advertisement gropes for a summertime made free. A cyclopean sinkhole in the becoming of time. Recruits–in–waiting are called to bargain normalcy and the bustling cities plump with lumbering limbs of sheen–tight pantyhose shaded under short shapes of plaid skirts for boot–cuts n’ backpacks hefty with gear that could either save you the trouble of mountaineering by path, or trouble your time with a faulty snapping of two things. Rope and neck.

Too grim?

  A months’–long moment of tension snapped at the pressure joint— Summertime the snapper.  You'd be devoting ninety–three suns, ninety–two moons, and some two–million breaths of fir laden air up in Angel Crater National Park, northwest of here. Pupils flickering the double-page setup, you continue: A pictographic, old–fashioned lookout taller than the timber spires surrounding would be your station, your core of operations, for those three young and sunny months. Boxed provisions and supplies are guaranteed to ship every other week, and testimonies encourage even the anxious, balmy buzzes of your brain to sigh in solace learning that the weald creatures there— are mostly harmless, if you aren't bred an imbecile. Alongside, an appointed supervisor, whose name was never disclosed duly except for a scratch of text gingerly clasped in quotations reading, “E.R.W” trailing the mention of said supervisor. What’s required of you was delivered plain written and patent on that shoddy newspaper, held thick in your intrigued thumbs; Keep the forest from catching wild fire.

  You fiddled the idea. Should I? Or should I wallow the summer away? Fiddled it anxiously, fiddled it needily, bumped the clumped rim of the newsprint on your cupid's bow in bending rumination, steadied it cause newspaper smells oddly good— but next to minutes racing hours upon musing, a conclusion had to knock your static looping of gloomdom in the butt.

  One phone call, and the bird would be barred again. Pesterer, Elaine the Terrible, would be cast back where eyes can't roll over the cottony clouds. Just a couple fucking prods to your number–pad, might genuinely un–drain you.

  Luckily, you aren't an idiot reared to take bullshit longer than meritted.

You took the job.

May 30th, 1995, 7:28 PM.

  What does any clever pedestrian traipsing capricious terrain store in their pack to avoid total gangly–branch–grips–of–nature butchery?

Item one; Black nylons— scratch that, you aren't getting paid to snag at every kink and curl of the forest, tighties of gossamery fabrics are a no–go. Citywear stays citywear. Double scratch on those sweet, blackberry Mary Janes too prized and polished to muck up in shit of the earth. Immolating the rigid underside of some chunky hiking boots to the unruly woodlands is the adrenaline pinnacle of out–worlding, come on. It proves you've got a hardy backbone and the right row of teeth to chew what you've bitten off, sullying boots ‘till the color is forevermore stained. Backup boots are tradition, so that's item number two. Best get used to cargo, ankle–length overalls and miscellaneous graphic tees, cause the rockies’ fashion gurus can't get enough of ‘em!

Clothing, check.

  Swathes of ropes twined pumpkiny orange and plenty of clanging anchors to bolt them in, goddesses and gods forbid you be tight on anchors. Medical kits— duh, did you trudge all from yonder just to die out here? This country is dicey, at the cuddly claw of a bear, or not. Hair ties, scrunchies you hoarded as a teenager in the eighties, disposable camera to suit your flaky memories, and an eclectic dump of nutty and fruity cereal bars galore. Unless you're allergic. Substitute.

Accessories and essentials, check.

  Ah, and a spare pistol and switchblade in replacement of newcomer paranoia! Keep that hush–hush though. No matches or lighters, obviously.

True American, illegal weaponry, check.

  All this paraphernalia bangs and clangs heavily on the polyester holding of your backpack, straining your scruff uncomfortably as you tiptoe, scarcely tumble, and tread lightly across a log. It creaks, it groans, it wobbles slightly over the blaring white rush of a stream, suctioning your heart–to–stomach when it grinds a wee bit louder than you thought it should.

  “Shit!” you crimp your torso in and dart wary hands on the timber beam at your feet, assuming a gawky newborn–bambi–pose in hesitation, shuddering in cracked tones, “This can't be the right way..” 

  Hoping on an evaporated sun, you frazzlingly testify in repetitive thought that the map mailed by the rangers a week prior led you on this perilous and incorrect path.. for the last two days. Winding and wounding, literally— your bruises are measureless and on top of that ache your skin to want no more of this. But, you have to. A boulevard of brown, short and stout, wrung unyielding from one gray side to the greener other, a shortcut. Assumed to be a shortcut, based on the route drawn by utter confusion.

Oh yeah, and remember the advertisement stating the park was twenty-five miles out?

Nothing about that hot-press, black-cat inked newspaper accounted for the extra eight weighing your ankles down and your motivation dead low. Twenty-five only stretched out unto the ranger parking lot. The entrance, for fuck's sake.

  Shaky flit of your digits, they float gently off the carve–veined surface of the wood, unfolding your spine as you rise. “Wrong way—” you utter to your chest, oven–warm as it puffs, “—gotta be the wrong..” 

  Tentative–ism is normal here, right? Like, no way you're cautious and sweating at the brow for nothing. Right? 

  One foot— creeakkk— in front of the prudent other, two sailing lunges, three hurried hops and a matched thud soft as marshmallows plants your shoes to hallowed ground. Blades of verdant whiskers so innocent crush under, and it feels fucking— demeaning, actually. All that gulping and pausing.. for nothing.

  You tuck a shoulder–glance to the makeshift ricket of a bridge, and blankface, “Didn't feel like killing me today?”

The tree bears no reply.

  “Hmph, surprising. Seeing as someone killed you,” a sigh parts, fading into the whip and straightening of your head, “figured the pursuit of revenge doesn't stop at ghosts.” and the hoist of your boot up, carrying onward.

  Sundown paints, crescent layers repose approaching moonlight and dying sunlight sprawls psychedelic limbs above you. Balance ambling in tiny bops only made the swirling grasp of those gradient rays more trippy on your eyes and coercive of daydreams, rot–nip for the brain. You spot nutbrown brick— a fireplace in your mind, fevered heat roasting on the inside wall of your forehead too. It was Christmas before the storm, a subzero December. And it was, in fact, colder than the unreachable heaven. Dad was hunkered down in front of that innocuous amber crackle, his right leg slack to the ground and his left arched in the neck of an acoustic guitar, arms plaiting its hollow curve into his chest. 1971, when the veil through and within was thin, and love–vomit poured so easily through. A time of justified ignorance; Childhood. 

  Stood you adjacently, legs short and posolutely not stout, dimpled in the knees. Aged two years, and mushy as ambrosia, contorting your mouth jubilant as you're told for the camera, contrary to your father with his expression drooping to his strumming fingers. Sickly sweets, adult–you unpurposefully neglects to twirl lips at, your extraordinary grins now turned ordinary flat–lines. Holiday memoirs, those spoiled ripe quick after adulthood bolted itself in the slabs of your tender spine and instilled an artificial love for labor and country, displacing nostalgia from ever being seen as a flesh existence. 

“Say cheese!”

  America is sub–human, and sub–humans created America, the imperfect cycle. Families tear, eagles outcry, friends drink their death, and the days continue to unfold without a trace of acknowledgement. Days exist where you soak festivities and stave off the pointer–finger poking at so called slack you relish, and some twenty dwindling years ahead the slowly deadening oak grove road, carousals will be criminally known as layabout–makers.

Joy is a luxury now.

  A blockage prevents your foot from winching clean forward, meeting the bone–hard kiss of a boulder to sore your toes. “Fuck!” you brand your throat walls to a shout, pissed at the rock rather than your woolgather that lead you to said rock, “Fucking fuckhead rock!”

  Woolgather means daydreams, by the way. Funner to use words that don't make a split of sense. Yay for English.

 The sunset clouds dripped with a mania of fascination and had strung your brain to its hypnotic whims, like a siren had soloed a trance, drifting your mind somewhere utopian and phantasmagorical. It sounds silly, but, blanking out seems so often out of grasp from your control, you usually could never flag what caused it, when it started, and why. Nothing practical surfaces. Fuck, your head is so tangled upon memories, you haven't even noticed the progression of scenery twelve o’clock from you. 

  Ponderosa boughs band together where your eyes brush shapes and forage for a clue of what scene wants to greet you ahead. The sequestering silence of rustles indicates a clearing, possibly. Possible as it could be, you fully expected this cruel footslog to wallop your ass into a minefield, so you bet cards and course carefully beneath the crowns of pine, completely bent to the chance of another obstacle threatening your tender ankles. Leafy whispers above strum your ears brimmed with its sotto voce song, and then— colors it silently behind.

“Holy shit.”

  Presence crumbles above you, and opens before you. The lookout. Wood shafts slant in opposing directions, up and up along four brawny beams in three consecutive layers, like a blocky cone. The face closest to you overlaps the backing rest, giving the illusion of tufted wooden legs sketched under all lackadaisical. Endgame daylight spies from behind this one–roomed cyclops, gushing final spurts of citrus rays as if it truly was an orange squeezed to pulp. So, the flank and forehead of that towering, mountainscaping lookout rolling a cold shoulder to the sun, paves in a tattered tapestry of garnet smokiness instead. Shadow of sundown. From where you sow feet, a football field apart, petty details are difficult to squint into clarity, but the window panes appear tawny, too.

  An intimidation, “So much for a tiny room.” A beaute intimidation, “And no actual bathroom.” it makes you feel like a genuine insect compared.

  A sort of stairwell serpent faintly chokes the foot, the calves, the thighs, and punctures kindly a mouth leading up to the skirting balcony hedged in many gaunt teeth. Tamping gravel closer, subtleties and fine points fade as the tower's plank–lined and flat underbelly turns to you. Larger and larger, it dips darkly from miniscule masquerade.

  Bringing your decently aching foot to the first step, you press into the curb and meander your cruder aching— thanks to a random boulder— foot weirdly on the outer ridge of your boot. Making it up the stairs to fund yourself a fucking break was a palpable mockery in itself. Like, ‘Hey! Climb this long–ass stairwell for a teensy break before doing it all over again the next day!’. 

Un–fucking–believable. 

  Fifty years of history and past rangers grate in your walk, the floorboards thump with their stories, thump into your skin— verse you a wordless eulogy. Each step is a sentence, and every sentence branches into a whole tree of genealogy, lives. Lifestyles you can't understand now, but will.

  Really redundant of me to highlight the generations alive in those floorboards. The walk up there isn’t that exciting.

  After the last step, you're met eye–to–frame with a scratched door, pygmy window centered and paper–screened from within, and the stories predating your stay inspire a comical theory, “Jeez— bears make it up here?” you half–suppress a snort, palming a fist on the doorknob coldly before rotating and giving sympathetic pressure to the door.. jammed. 

  “C’mon..” knuckles pulse into the knobs plate, gradually upping the force you pushed, “.. losing light out here..” eventually adding your other hand to sweeten the push.

  Sure, a whole year has gone by since it homed somebody, and it's retro, but come on.

  Breaking splinters into the door was your last intention, so you try so–so carefully— to some extent, “Please..” now butting the tip of your boot on the rim to ease it— ease, and finally pry, a clapback of wind blowing dusty, nightfall air past your crescent cheeks following the snap of the fallow door.

  Thank goodness for your grace and balance, some days, avoiding a timely trip face–first to a floor so powdered in light dust, any kid would mistake it for a good time sweeping snow angels. 

  Not so good for the respiratory system though.

  Muggy space filtering your lungs tightly, you cough out, “Gah— fuck!” nothing higher than the level of a guttural wheeze, your chest punching into your throat. Gaping out the last flock of butterflies clumped at your collarbones, the tickle inside calms, and you find your sights taking in a dark box. A dim orb of lily silver glow rests in the middle of the pall room, raising the natural, “Where's the ligh— ah, big clunky thing—” 

  Flicking the off–white and stubby nub attached to an impractically sized lightswitch, which frankly resembles an electric box externally, an essence of Apollo ladens the room. Lemony–gold light, passably bright off the redwood ceiling, and murmuring a low buzz through one ear, and out the other, your pupils caper along the contrasting shades awakened.

  “Definitely retro, but.. no roommates.” spoke you, gingerly content with the colors piecing this camper pad together. You observe.

  Forget–me–nots bled the cotton bedsheets baby blue, leavening the mattress with a tidy emotion as it's tucked, folded at the top and draped in a complimentary quilt— benevolent blues, hues your lids soften on. The bed beelined from the doorway, a corner counter fawn–brown as the wood extends adjacent to it, covering the northeastern angle of the room. Magpied brands of canned food clutter shelves, spines spanning thick books of epic poetry to sci–fi comics create a ribcage of literature along a compact bookcase perching that countertop, and sunken in the east side of it, a steel sink. It shimmered sunflower bands of light as you moved, a rainbow–arched faucet brightened completely.

  Step by step, you draw near a circular table in the middle. Strange rods and gadgets stuck out of the borders, inlaid glass protecting a local map so sleek you could see a phantom of your face in it, and a black bar looming the width, so it rings with tangible importance. Of which you'll gauge about later. Truthfully, the journey by foot here? Dead–beating, your knees bloated, throbbed flesh hot, and almost buckled; fatigues infamous way of scolding you to sit the fuck—

“Sup Maple lake, you there?” 

  A pang hammers to your heart, and a crawlish wave of startled blood pales from your face and drops to your jaw, “Jesus!” sweat hitting you a blink after, every normal function just— flunked. That voice, more like a ruptured stereo sizzling, caught you the fuck off guard. Now you dither, dumbassery taking your eyes through a new loop of figuring out where–why–how and what the robotic intruder wants.

  But pre–realizing, your ears perk to a more coherent, and outstretched string of static, “C'mon, know you're checked in.” and post–realization tugs your eyes to a mustardy n’ black cased device; a walkie–talkie.

  Okay, way to creep recruits out. Whoever, for whatever reason— at the nick of night too, gimme’ a break. You wry, knitting raisin crinkles above your nose, trying to discern your palette of options; pick up the walkie, tap in and feign politeness in the shortest and sluggiest scraps of small talk to be done with the day, or rant off the bat— highlight how fucking late it is, and how taxing a double–goddamned–day hike made your head and patience feel. And right now, the second response route feels arguably more tempting than—

  “This is Cordero Tower, calling in. Can see ya’ standing by the Osborne, by the way.” 

  Its staticy feedback has waned completely, densening a thick husk and tilting towards a honeyed undertone. Relaxed sounding or not, what the fuck.

  You react predictably, flicking your chin west, then east only for you to meet the dead of night— thanks mountains— stalking perfectly in every single window. So, useless to check. Answering it was a yes–go, it would be sickenly awkward to thrust it under the rug now. Your knees pull forward, eyes calligraphing the power buttons tinted in cherry light, palm drawing to meet your focal point.

  The case is ribbon gentle under your fingertips’ graze, fresh and in store–new condition. Maybe the only thing hot from the pot of newfangled technology. Plastic intricacies roll under until you settle on a swollen button, denting the plush of your finger as you press, hold, and speak. A crisp crackle activates your line, tuning you in.

    Breath hesitates between your chords, “Maple.. lake.. speaking,” off–the–tongue words manifesting on–the–spot, “you can see me?”

  “Yeah.” the walkie chuckles, sugary curl pitching up and through their tone, “Look out ur’ north window, you'll see her.”

Her?

  Nooking your nose north, you only widen pupils on that same, starless coast of darkness nosing the rim of your window sills. What do they mean to—

  “Nh–no,” You literally said north, “get closer to the window, n’ look up.” What, are you a fucking sparkling, rasp–voiced eagle?

  “Fuck are you talking about,” mouthed you void of voice, stumped on what this person was getting at. Wedging your knuckles below the meshy underside of your backpacks right strap, you wrangle it down your arm as you glide rubbery sole along croaking oak, tossing that bag so cumbersome atop a lily white pillow— looking fresher than a daisy, and clamber the mattress pliantly dented to your knees to grasp a broader panorama. 

  And with that window hood washed over, a convoy of fireflies focus a tiny constellation in the murked glass. Little pinholes of light, dots in the distance. They rough–hew a blur, but the excess seconds taken to brood squints and balance the blurry blotches, an outline crops up. Another fire lookout, sprouting from rock and rise of a berg. Offspring of the distant cordillera that gives this whole park its sense of a cradled–woodland, but either way thought, a lookout hosts it home on top.

  “You can see me from all the way out there?” you wondered, truly. I mean— at minimum, a sore sprawl of miles bridges you both.

  “Mhm..” a pause loiters that fluid hum, then some really throaty syllables, “Binoculars~” you could almost envision— nah, feel the stare of those binocs, undoubtedly taking note of every contort in your body right now.

  “Oh thats, totally.. not,” you blunt your tone, shying a few inches from the glass, “.. creepy.” awkwardly. “Uh, who are you anyways— are you like, uh, another recruit?” as you engage small talk, grumpy frown pouting, the habit of kissing your wrist to your jaw as you would a piglet–tailed telephone overruns your burnt out focus, having to wince the walkie away when your eardrums nearly burst.

Ouch.

  “For one, I'm actually your supervisor. I know, I don't sound like a typical smoker–lunged, middle–aged white dude.” their tone gruffs and deepens to impersonate, finger air quotes practically radiating from the other end, “And two, my name is Ellie— Ellie Miller–Williams, if you care.”

  “Don't.” you heave out the pain stretching your head, aching each time you simply thunk.

  “Straightforward,” her timbre ups in approval, seemingly, “I like it. I like you, recruit I dunno’ the name of.” and a bubble hics her throat, quite audibly.

  “Not single.” Wrong, just uninterested. Hooking two fingers in the fabric handle of your bag and craning it to the ground, with scattered grates of plastic buckles skating the floor.

“What?”

  Oh, shit she wasn't— oops, ‘course she meant that platonically, heads so damn muggy,  “Uh, it's—my name.. sorry I’m just a bit out of the loop—” Dumbass, unscramble your brain alphabet soup, will you?

  “That’s a long ass name, what were your parents thinking? Haha.” Her duo–beat chuckle flares your humiliation, and then proceeds to pinch its swollen parts into total inflammation, “Where does it originate from?”  

  Cheesy bitch, “Can you not— I like, pfhh..” you temper yourself with a moon–cool blow to chap your lips and inflate your cheeks, ending up with a draw of an even more loosened tongue sour as it complains, “Did a whole two–day hike through the most torturous terrain just to get here, I really don't—”

Please.

  And if gripes trudged through teeth aren't persuasive enough, you recess your bone–ache bod avidly in the springy haven of your bed which chirped at your weights shifting motions, collarbones packing down on your vocal chords. You shouldn't sound up to chat whatsoever. Instead, vehemently drained, “I just wanna get some shut eye, talk me over n’ the mornin’.” your thumb lying a button away from disconnecting. 

  “Hey, hey—” Ellie ushered, her slurry breath fogging up the mic. Lips squeak softly into it, smacking before an intone, “Can't I be a little curious?”

  You synchronized in noise, sucking teeth behind heart–pursed lips, “Do you think somebody this exhausted has the appetite to entertain you?” stilling your thumb–pad on the power off key.

  “If I keep bothering you,” that alone ticked you, her blatant drive to carry on when your brain rejected its substance, “.. yeah. Maybe you'll be nicer then too.. huph!” a heartier peep hicced up on the speaker, and right then that noise jogged a discovery.

“Are you drunk?” has to be.

  Of course, she ignores the naked and sorely obvious, “Did your boyfriend break ur’ heart or something— an’ that's why you're out here?” bottle sloshing in the background of her mumble.

  Dumbstruck, you furrow a miffy expression, “W–what, boyfriend?” 

  “Said you weren’t single.” she recalls, warmly unspinning the fuddle that knit your brows, “Think I forget so easily?” drawled like a sultry retort, baking your ears.

You a hundred percent forgot though.

  Gosh, short–term memory sucks, or it's just your energy drought making you woozy. Blame it on lethargy, “No no, that was just.. tired talk. I thought you were hitting on me.” 

  “Oh? That's cute.” her choosing to say that latter statement unfolded discordantly, you seriously couldn’t gauge if that was a flirt, or another paper daisy— mock honey, a platonic notion. Even so, it sounded so damn smooth, lace to the ears. “But no, I wasn't— m'not like gay or ‘whutever.” stammered her, light snort fanning.

  A stifled chuckle hops from your chest, mixing with hers, “Uhuh, cool.” halfway uncaring and halfway amused, bafflement working your facial muscles. 

  “Yeah, um, but seriously..” her voice drifts into a ponderous rasp, the faint rustles of flimsy paper licking page to page subtler than her speech, “what's got you out here, newbie?”

“Newbie. Really?” A brow pricks.

  “I mean, you're new— new to the lookout, new to the job, in need of my phenomenal supervision and my wide range of knowledge. Yeah, a newbie.” 

  Then your brow mellows, tension held in your face dropping dead on backhanded flattery, “You are funnily agonizing.”

  “Aw.” her scratchily suave coo has your jaw set like stone, “That's so sweet.” but her short–lived song has your heartstrings soaked in ripe honeycomb, touched to the core by sweetness nebulose and an assortment of some foreign threads. Thickened heart, tighter ribs, a churn to weaken your stomach, a maverick of things unfamiliar to you.

  Momentaries, but still noticeable even if your senses were twisted backwards.

  Chewing over how you'll begin to explain, a few letters sift through your chords, until you hook on a sigh, “Ah, well, I'm out here for a fuck ton of reasons—”

“Reasons, or— huhp, problems?” Ellie blurt–hics, nosy.

“..”

  A brief gulp and exhale wheezes from her, “Sorry, it's the bourbons’— super good. Continue.” 

 You loosely split your mouth, gasping to exchange a gale for words pressing out, “A series of reasons, and problems, that I don't bother to lay on a grand platter, so you'll get a summary tossed on an appetizer plate.” you preface. Allow an elliptical gap to cut through, rousing her hum to let you know her ears are as intent–peaked as a Chihuahua’s, “Contact with my parents’ has gone cold, my last job made me want to hurl into a pack of crocodiles— and the city became too loud and too heavy–handed. Saw this job on the local paper, and got the hell out of dodge.”

An omissive summary, you meant. 

  There’s more that eats the heart. People can’t just.. drop the burden of knowledge wantonly on randos like they’re idling under fertile treetops waiting for the apples to plummet, biting into a pulpy biography. She’s just a girl, not a therapist.

  A discomforted purr lengthens into her reply, “Mmmmh, ever try a drink or two?” her intoxicated reply.

  “Oh, see,” you flap your hand and slap it to your denim clad thigh, “you are drunk.” as if she could even see your gesture.

  “No, I’m Ellie, hmhm~” comes with a giggle, and you consider her state of insobriety to be— wavering, but it’s stimulating to hear her fluctuate between groaned jokes and extra raspy comments, “Still haven’t told me your name though.”

  Some moments during this whole ‘Who are you?’ seminar made you concerned for your future here— if you’ll make it out psyche intact, but some moments found by winnowing through the illogical backtalk touched you with inbound camaraderie.

  Invisible touches that inhabit your neck with a leak of your name so— sincerely. It transforms into a fairer sound on your ears when she repeats it, affirming it. Nobody else's teeth clutches your name so welcome as she.

  “Hmm, ‘name kinda fits your voice.” odd commentary, but since composed with her already peculiar and drunken tongue, the shoe fits.

  That said, crabby confusion seems easier to articulate, “Thanks, weirdo.” but lips rebellious, they press an inevitable grin together. 

“No problem, sleepyhead.”

So many nicknames.

  Recognizing that downtick in hubbubs and breaths on the walkie, checking out for the night posed as a passionate option the burden weighing your eyelids couldn't or shouldn't veto. So you haul your torso up, kick and poke your toes over ankles to butt your boots off prior planting your heels, whisking toward the lightswitch and committing your lookout to swell with the outside's dark fresco. 

Stygian tones.

  “Speaking of sleepy heads..” you taper off speech, leaving the rest to her— touch wood— wide enough, hopefully–not–drunk–enough imagination to fathom as you slide and slip desperately beneath woolen blankets, sleepy worries, and sentences sailed to rest.

  “Aw man.” Ellie bums so, so stupidly, for comical value.

“Yeah, man.”

  “Mpht—” wetness smacks, “wanted to bore a pretty girl to death with recruit regulations and syllabi..”

How would you know?

  In reality, Ellie was reaching a transcendent caliber of wasted, drinking up your atmospherics and drunken to her gutly core. Woods hatch forlorn people; forlorn people get thirsty, “But, mhh, heads’ nearly falling off, whoof.” she expresses a soaring of vowels, but it parallels a gruff howl more. 

  Drowsy, buzzy jubilancy, plucking her flirty strums. You sugarcoat the flare in your chest hearing ‘pretty girl’, ears clicking to the swallow convincing your heart that Ellie was not flirting. As established; She’s under the influence, and not gay. Your brain repeats that, over and over, repeat, repeat, she isn’t flirting. 

  “Hey, here's a tip..” you inch the walkie a penny away from your flopped head, clefting your lip open, “Don't get drunk on the job. They didn't hire you to decoct your brain the day before chaperoning a recruit in the literal wilderness. So, stash that shit, n’ let's both get some shut eye, yeah?” and saying all that, may have just cashed in your last dose of breath and brain cells for the night.

  Ellie being Ellie— well, what you suspect is a ‘her’ thing after these few speckled minutes, dopily laughs at you. And dammit if she wasn't glamoring a dopey smirk in accord, you’ll have gleaned wrong.

  A voice, “Who’s the boss again?” her witty and cruel wisecrack, “They didn't pay you to boss the— hup, boss around.” 

  They will pay you to confront and reflect your spectrum of limits if this girl brushes their seams, that's for certain. Or, play God and lambast her, tender as milk.

  There's even a stroke of a chance, that your crooked lips poached her dopey grin instead, “Kay, well, maybe they'll reimburse me for your poor services.” 

  “My services are not poor. You'll see, tomorrow.” the volume of her melts away, going muted under liquid swills clanging on glass.

  “Please tell me that's the sound of you putting the bottle away.”

  “Mhm!” came out plugged, the bottle confining her garble, then popping clean as a cork, “Fuck— okay,” she siphons air in, pure little clink tinting the end of her sharp–edged sniffle, “Make sleeping in earlier worth it t’morrow, wanna drive you nuts with my questions.” she nasals, drawing near the mic again.

  Such a magpie, “Cause you're lonely?” and weird.

  “Shut up,” she shushes you, a satin whisper light–hearted and quick on beat, “M’not lonely anymore, right?” The type of softly spoken outcry that would balloon your cheeks with soreness if you were face–to–face with the throat that conducts it. Involuntary smiles plague you everywhere. But there is no mouth, no larynx, no throat that you view the swallow of. Just a walkie, so you settle in stoicism.

  You tug your upper–lip and pivot your eyes, drumming up something clever to combat, “In a sense. Not like we’re bunkmates, thank goodness.”

  “Fuck you,” Ellie breaks into a cuss spout so serenely, she sounded small and harmless, “just go to bed.” reduced to birch in winter shed of its brittle autumn arguments.

“Don’t gotta tell me once.”

  By the first full and emphatic giggle she cast just now that wasn’t suppressed nor achieved by humble pie, you take it that Ellie found you funnily harrowing just as her, two peas in an outstretched pod. Fault be with her, for getting wasted. Otherwise, you might have pried her skull open with questions dolled up as a pruner, clipping the forelimbs that are foliated in a messy breadth of first glance leaflets and attitudes until you piece it prettily, in a way that thralls you to never shrink your eyes back into their sockets. Drunk people are like prone beehives though, so you don't prod them.

Tomorrow, you can paint her portrait, or vice versa.

“Whatever you say, newbie.”

And with the whirry crunch of the walkie shutting off, Monday, came to a close.

if you enjoyed this chapter, please lmk what you thought!! i love getting asks about my content ♡

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[zombiecowboy65]

I know we've all been discussing about when and where JereJean get together in terms of captain-player dynamic

But tbh if I were Jeremy and about to start my last year (5th year for players, so he's about to be 23 iirc) I just could NOT imagine dating a 19yo. No matter how attractive, if it ends in TEEN for me that's a kid. Even 20 would be pushing it, even if they were in my same year

I'm 22 now and I see 18/19yos as kids lol

As a survivor of CSA, the way most of this fandom discusses a teenager makes my skin crawl 🙃 he's not a "hot piece of meat" and yes, a 3-4 years age gap does matter, when he's a teen, has been abused his whole life, has a warped view of what humans are like

I know Nora sees no issues with age gaps (Andrew was a minor, 17 hooking up with 22/23yo Roland according to Nora's tweet, and no one in the books ever comments on it), but it's just weird to me

Like 3 years ago Jean was 16 and joined the Ravens to be raped, tortured, brutalized, and on top of that he was also completely isolated from "normal" society throughout his childhood

His situation is even worse than Neil's, because Neil at least had someone fighting with him and for him before she was killed

Hell even Andrew had a more normal (albeit tragic) upbringing. Foster homes and abuse but he still knows how to function in society when he has to (he just refuses to most of the time)

Meanwhile Jean is extremely codependent and needs a designated partner to function

There's a difference between growing up abused (Neil, Andrew) and growing up in a CULT and abused (Jean, Kevin to an extent, although he was not property and incredibly privileged compared to Jean)

I'm not saying Jean is defenseless. He's a fighter. He WILL stand up for himself, I'm 100% sure of it. And won't just let others fight his fights.

But he also grew up completely removed from normal human interactions and still has to learn how to be his own person rather than just an "ex Raven" (and he still can't fully accept that)

(Kevin too; he became an alcoholic to cope)

His past of sexual abuse + young age make his situation even more delicate when it comes to romantic and/or sexual relationships

I wish the fandom would see that. This goes beyond the captain-player dynamic issue.

I would love nothing more but for Jeremy to remember that throughout the series (as he's already realized it) and put his attraction aside

I fully support JereJean in the future, when they've both graduated and Jean has gone pro (idk what Jeremy will do, I can't remember if Nora ever said). When Jean can breathe a little easier knowing that he's made it and the Moriyamas are getting his money. When he's learned to live and work alone. When he's learned that his friends love him unconditionally

But right now? He needs a break. Just let the guy live 😩

... or rather, learn to live

And that's what bothers me the most: Jean still needs to LEARN HOW TO LIVE. He's a complicated, traumatized, fierce character fighting tooth and nail to learn how to live a normal life, how to be a person rather than property, an asset, a Raven

But most of the fandom just sees him as part of a ship.

That's where all the OOC fanfiction comes from, people either brushing his trauma aside or hyper focusing on just one aspect of it, all in service of their ship (same as with Andreil)

Sometimes the stuff I see is sooo OOC the only thing it has in common with aftg is the character names

I agree with you completely!!!!

The age gaps in this series bother me quite a bit. The Andrew / Roland thing was seriously messed up even if Andrew was the one calling the shots. Kevin and Thea is another one. Renee and Jean is even worse now that we know his age (24 vs 19?!?!?!??? What on earth????). Jeremy is a little closer in age, but it is still the better part of three years ahead.

Now, I do want to say when I was in college I did date someone two years older, but he was in my grade. With Jeremy I understand Jean is technically only a grade below, and that he’s 2.75 years younger, but it does make a difference. Jeremy honestly has a better grip on Jean’s trauma and the situation than this fandom tbh.

I was honestly very surprised when Nora told us Jean was 19 ESPECIALLY because Jeremy has to be at least 22. And idk if ppl forget that he’s older on top of the dynamic they have going but adding being older to his captaincy AND to the fact that he’s been in normal society where Jean has not… he does have power where Jean doesn’t.

And I’m not saying Jean can’t be in a relationship, I think jean can function way better than most people give him credit for or he literally would not be able to go day to day, but I do think it’s important for him to grow a bit before he gets into it with Jeremy. (I am not saying it has to be post college per se, just that the guy needs to heal a bit first). A lot of this fandom puts TOO much pressure on Jeremy to show him how to function, and while I think Jeremy can help I definitely do not think he should be labeled with this caretaker/savior thing the fandom has going on.

ESPECIALLY with sex. And now I’m not an NSFW blog but I need to address it. I’ve seen takes where Jean cannot even talk about sex but he and Jeremy are deep into a sexual relationship. If Jean cannot talk about sex he should not be having it. That’s like sex 101. It also really weirds me out when they make Jeremy show him the ropes of sex or call the shots or have Jean ask him to call the shots, but that’s just my personal opinion. This man had 0 autonomy in that nest. I do not think he should or would be handing that autonomy to Jeremy the minute he gets some. (Also he’s currently NINETEEN. Why is Jeremy DOMMING HIM half the time??????????)

I also agree about the OOC fics. There are a select few that do not (and I’ve said this so many times so I’m sorry if you’re sick of me) turn Jean into a submissive little woman (woman as in society’s idea of what a woman should be, not an actual woman) and Jeremy into this big bad alpha male type that needs to direct Jean’s every move.

Not only are those takes OOC, but it’s super weird.

Idk, it all just rubs me the wrong way.

[inhonoredglory]

I think it makes sense to say that angels as ethereal beings in heaven are sexless but if one or two spend 6000 years on earth BEING male-sexed human bodies it no longer makes sense. As people keep recognising, eating food, drinking and driving fast among other things are all deeply embodied experiences and these have fundamentally changed them as people. The whole Jesus story is the same deal, being embodied human is transformative. We live in a time when the concept of embodiment is deeply unfashionable and Cartesian dualism is entrenched, where endless body mods and casual drugs and careless manipulation of core human physiology is enacted with barely an afterthought for deep-reaching and irreversible consequences, but it's a deeply sick framework for seeing the world

(In response to this meta about ineffables and romance/asexuality)

First of all, they don’t have “male-sexed human bodies.” They are literally "sexless unless they really want to make an effort” (Good Omens, 1990).

Like all of Neil Gaiman’s angels and demons (see The Sandman), Aziraphale and Crowley have no set genitalia, don’t (by default) engage in sexual activity, and they don’t always present or dress as male through history (although they often do).

critical-gemini-hero (excerpt): "Good Omens is the first big show I’ve seen to basically avoid transphobia all together when the opportunity presented itself, and even say fuck you to the gender binary as a bonus." Neil Gaiman (excerpt): "Thank you! That was definitely what we were going for." (source)

So no, they quite literally do not have “male-sexed human bodies” and they do not ascribe to human gender norms.

In addition, what you are suggesting is that “being in a male human body” equates to “feeling male” and “feeling sexual” because “the body dictates internal experience.”

There are literally millions of people, actual human beings living in physical bodies, who (despite living in culture) still DO NOT feel that the gender assigned to their bodies is reflective of their lived, internal experience. Merely having physical attributes does not mean you have a corresponding internal experience. You can be forced by your parents, teachers, elders, peers and everyone else to FEEL a certain way because of your “sexed human body” but it won’t make it true inside you.

If one's internal experience were so unimportant, then we wouldn't have 82% of transgender individuals consider suicide (source) because of the stigma of trying to get out of the norms assigned to them because of their "sexed human bodies."

Aziraphale and Crowley have lived in history long enough to know how varied and complicated the concepts of gender AND sex have been historically. As spiritual beings, I think seeing how much humanity has varied in its ideas on sex and gender only confirms to them how unlike humans they are (with humanity’s obsession with genitalia, sex, reproduction… food, shelter, warmth, breathing––all things that angels and demons do not need to survive).

They love humanity, they love its pleasures and inventions, but they are still very much detached from it. Looking like humans definitely doesn't help them feel like humans at all. (Look at how they talk about us!)

What are we, sniffer dogs??? They don't know what we feel like on the inside or how our biology works (we sure ain't sniffer dogs) because despite some surface appearances, they don't have the same internal experiences as us. Despite being here since the dawn of time. Despite looking like us in many ways.

They can magic up clothing and sideburns and eldritch heads to scare trigger-happy corporate men, and yet somehow gender and sex (as specifically Western-binary concepts) are something they'd totally get down with?

Also, your line of reasoning imagines people having no internal motivation or desire and suddenly get a tattoo and start to become a “bad person” or something. Yes, of course changing our bodies can affect our psychology, but our internal identity much more often influences our bodily choices than the other way around. I'm taking the drugs because I'm already depressed. I'm getting the tat because I want something cool on my body. I'm taking testosterone because I want my inner identity reflected in some ways on my physical body.